Wright and Sullivan in Banff

© Mark Hertzberg (2025)

Today Panoramic.jpgThere once was a Frank Lloyd Wright – designed building here, in the midst of the splendor of the Canadian Rockies, in Banff, Alberta.

Banff, Alberta does not immediately come to mind when people think of communities with buildings designed by Frank Lloyd Wright. They are more likely to think of Bear Run, Buffalo, Los Angeles, New York, Racine, and, of course, Spring Green. However, Wright’s work crossed national boundaries, with commissions in Egypt, India, Iraq, Italy, Japan, and Mexico, as well as in Canada. Few of the international commissions were realized, but two in Canada were.

Similarly, when the name “Sullivan” comes to mind in discussions of Wright, people immediately think of Louis Sullivan, Wright’s ‘Leiber Meister.” But it was a different architect named Sullivan, Canadian architect Francis S. Sullivan, who also became part of Wright’s history, beginning in 1911. 

There were four Wright – Sullivan collaborations. The only one built was the Banff National Park Pavilion, about 70 miles west of Calgary. Designed in 1911, it was completed in 1913, and demolished in 1938. The legend on a model of it in the Whyte Museum of the Canadian Rockies archives in Banff credits the building to “Frank Lloyd Wright and Francis C. Sullivan Associates Architects Ottawa Ontario.”

Whyte Museum exterior.jpgFrank Lloyd Wright Pavilion West Face – Image #V683/VI/A/PG-336 – The Whyte Archives & Special Collections

FLW Banff UCal 1.jpgFrom the University of Calgary Digital Collection

Their three unrealized projects were a railroad station for Banff (1913), the Pembroke Carnegie Public Library in Pembroke, Ottawa, Ontario (1913), and, according to Wright scholar Douglas Steiner, a “Ladies Kiosk” in Ottawa (1914). Wright’s other realized commission in Canada was the E.H. Pitkin Residence on Sapper Island, Desbarats, Ontario (1900).

Steiner documented the history of the Pavilion, and related structures in 2010 on his http://www.steinerag[Steiner Agency].com website. Much of the information below was gleaned from his article:

http://www.steinerag.com/flw/Artifact Pages/PhRtS170.htm#Site

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Wright was usually fastidious in his oversight of where his designs would be built. Either he was not, in this instance, or else it is possible that his client, the Canadian Department of Public Works, had the final say.

Banff National Park was Canada’s first national park. The town became a tourist destination in 1883 after three men working on the transcontinental railroad discovered hot sulphur springs. The springs, pools, and their outbuildings are now a tourist destination known as the Cave and Basin, although there is no more bathing at the site.

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The Pavilion was sited in what are called the Recreation Grounds, near the Bow River, south of downtown Banff. It was controversial from the start. The consensus among residents seemed to be that the Pavilion should be suited to year-round use and reflect their interest in sports such as curling and ice hockey. The government and Wright thought otherwise. The Wright / Sullivan design was best suited for use in warm weather. The exterior and floor plan were similar to Wright’s River Forest (Illinois) Tennis Club (1906), below:

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River Forest Tennis Club 10.28.20 022.jpgThe River Forest Tennis Club in 2020

According to the Banff Crag and Canyon newspaper, “The structure will be of rustic frame, one story in height, with cement and rubble foundation. The outside dimension will be 50 x 200 feet. The interior will contain a general assembly or lounging room 50 x 100 feet, with a ladies’ sitting room 25 x 50 feet at one end and a sitting room for gentlemen, 25 x 50, at the other end. Dressing rooms, lockers, etc., and provided for also three cobblestone fireplaces. Inside had three fireplaces, a men’s smoking room, a women’s lounge, and a common area between them.”

Whyte Banff Interior.jpgFrank Lloyd Wright Pavilion Interior Image # V683/441/na66/1471The Whyte Archives & Special Collections

The Pavilion served as Quarter Master’s Stores during World War I. If the design was problematic, at least for the residents, the site of the Pavilion near the Bow River was more problematic, ultimately fatally so for the structure. The river could get very angry. It did so particularly in 1920 and 1933 when it flooded around the Pavilion, doing irreparable damage to it, and ultimately dooming it. The newspaper wrote of the 1920 flood, “The grounds in front of the recreation building were under water last week, and it was possible for a man, if so inclined. to wade out to the building, sit on the steps and fish.”

Banff FLW UCal2.jpgFrom the University of Calgary Digital Collection

The wrecking ball finally came in 1938, just a quarter century after it opened. A 2016 proposal by Michael Minor, an American, to raise money for the Pavilion to be reconstructed did not materialize.

My wife and I were visiting Banff this spring and were anxious to find the Pavilion’s site. That was a challenge because there is no historic marker. We took hints from Steiner’s article. Patricia Thomson, our Canadian Rockies tour guide, graciously took time on a free afternoon to help us wander the area near the Bow River Bridge, Cave Avenue, and Sundance Road, near the Recreation Grounds. She had already gotten some leads from her brother, who works for the provincial parks department. Most significantly, he directed us to Steiner’s article.

Patricia and MSH.jpgPatricia Thomson helps us locate the site of the Pavilion. Photo by Cindy Hertzberg

Reconstruction of the building in an area that has new recreation amenities is not likely to happen, but Banff’s Heritage Committee, which considered Minor’s reconstruction proposal, had discussed the idea of a “Landmarks and Legends” marker at the site before the Pandemic. We are past the Pandemic. Now is the time to reconsider the idea of signage.

Until such signage were to come to fruition, the only tangible evidence of the Banff National Park Pavilion in Banff is a model in the basement archives of the Whyte Museum of the Canadian Rockies.

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20250609_140954.jpgImages courtesy of The Whyte

Postscript: According to “In Wright’s Shadow” (published by the Frank Lloyd Wright Home and Studio Foundation in 1998), Sullivan worked in Wright’s Oak Park studio in 1907 and 1908 before returning to Canada. He worked with Wright in Arizona in 1916 on drawings for the Imperial Hotel. He did not accept Wright’s offer for him to work with him in Japan on the hotel. Sullivan died of throat cancer in 1929, living as a guest of Wright’s at Ocatilla, his Arizona desert camp.

Thank you to Randolph C. Henning and Keiran Murphy for their assistance with this piece.

Please scroll down for previous articles on this Wright blog.

Wisconsin World of Wright – June 2025

Photos © Mark Hertzberg (2025)

This is a quick update on some developments in the World of Frank Lloyd Wright in Wisconsin, from another Road Scholar tour I helped lead this week:

Annunciation Greek Orthodox Church – Wauwatosa

LR AGOC 6.19.25 012.jpgWorkers smooth out newly poured concrete at the entrance to the church Thursday June 19. This is part of Phase 2 of work at the church.

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Phase 1 saw repairs to the roof last year and work on the gate to the garden level.

LR AGOC 6.19.25 016.jpgPhase 3 will see new carpeting, and cushions for the pews next year, as well as the pews being refinished. Photos of the roof work are at:https://wrightinracine.net/2024/12/10/greek-church-roof-resplendent-again/

Taliesin: The pond, which Wright is said to have referred to as Lake Taliesin, is filled again, after an absence of several years, and waters flows over the dam by the original entrance to the estate:

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Wyoming Valley School: The school opened in early 1958 and closed in 1990. Today it was filled with the sound of children again, children participating in the Wyoming Valley Experience, a six-week long summer art camp. The adults shown in one of the two classrooms are guests from the Road Scholar tour:

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Earlier in the day the Road Scholar guests were unexpectedly invited into a Wright home which is not normally open to tours (which is why I am not identifying it). One of the guests told me he was thrilled to see a house that is being lived in, as opposed to another house museum. Indeed, and that is why it was also so heartening to see children in the school.

Please scroll down for previous posts

Links to Wyoming Valley School; Taliesin Preservation, and Road Scholar’s weeklong tour in Chicago, Oak Park, Racine, Milwaukee, Madison, ad Spring Green:

https://www.wyomingvalleyschool.org

https://www.taliesinpreservation.org

https://www.roadscholar.org/find-an-adventure/22976/Architectural-Masterworks-of-Frank-Lloyd-Wright

 

Happy Birthday, Roland! (And more Wright news)

© Mark Hertzberg (2025)

Today’s joy in the World of Wright is to wish Roland Reisley a happy 101st birthday! He and I were walking into Monona Terrace during the 2018 Frank Lloyd Wright Building Conservancy conference in Madison when we passed this photograph and he exclaimed, “This is a photo of me working with Mr. Wright (and with David Henken, as Usonia was taking shape)!” He let me photograph him with the Pedro Guerrero photo:

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This is a link to the tribute I posted a year ago to mark his 100th birthday:

https://wrightinracine.net/2024/05/19/happy-100th-roland-reisley-day/

Annunciation Greek Orthodox Church:

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Work continues at the church in Wauwatosa, outside Milwaukee. Last fall I posted photos of the work on the roof:

https://wrightinracine.net/tag/annunciation-greek-orthodox-church/

When I visited last week, leading a Road Scholar tour, work had just finished pouring new concrete for the front steps. When outside work is finished, attention will shift inside, under the dome, as the carpet and pew cushions are replaced, and the pews are refinished.

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Taliesin News:

Taliesin Preservation (TPI) is advertising that they are hiring seasonal workers, with signs below Riverview Terrace, the Frank Lloyd Wright Visitors Center:

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This is the link to follow if you are interested:

https://www.taliesinpreservation.org/careers/

The most dramatic work on campus is evidenced by the scaffolding and plastic covering at the Assembly Hall at Hillside Home School because of water incursion. Repairs will be ongoing.

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TPI has launched a new “Frank Lloyd Wright in Madison” experience in partnership with Destination Madison and the Frank Lloyd Wright Foundation. Details are at:

https://www.visitmadison.com/wright-in-madison/

My wife and I will be traveling to Banff National Park in Alberta later this spring. Wright’s 1911 Banff National Park Pavilion was demolished ca. 1938, but we have connected with someone who will show us where it stood. I will post after our trip. Here are two links for more information about the ill-fated Pavilion:

https://www.banff.ca/487/Frank-Lloyd-Wright-Pavilion

https://en.wikipedia.org/wiki/Banff_National_Park_Pavilion

Please scroll down for earlier articles on this website.

Hardy House Views: 1904 – 2025

© Mark Hertzberg (2025)

Today I had the rare (and arguably unfortunate) opportunity to photograph Frank Lloyd Wright’s Thomas P. Hardy House in Racine, Wisconsin from the lake, without getting wet. Climate change is playing havoc with Lake Michigan (as it is with the world). In 2020, the water level was so high that the stewards of the house, and neighbors, had massive hunks of stone brought in to protect their property:

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Today, well, I was able to walk out onto what had been part of the lake:

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The photograph below, taken through the two story living room windows, shows how much the water has receded:

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Taking my photographs today gave me the idea to show this view of the house through the years, in historic drawings and photos. First, we have Marion Mahony’s drawing, reproduced in House Beautiful magazine’s 1906 story about the house:

House Beautiful 2.jpg© 2025 Frank Lloyd Wright Foundation, Scottsdale, AZ. The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

Then we have the earliest known photograph of the house, taken in 1906, as it neared completion:

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A 1908 photograph from the OA + D archives, shows significant growth of trees on the hill:

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The dining room terrace, which ended in a stucco wall, was demolished after World War II at the behest of the Sporers, second stewards of the house. There was a public beach, the 14th Street Beach, just south of the house (to the left of it in these drawings and photographs, until the 1970s. The Sporers asked Wright to give them a recreation room under the dining room terrace. Edgar Tafel sketched plans on Mahony’s drawing before leaving the Taliesin Fellowship in 1941. The work was not done until after the war. Full-length windows, including a door, opened to the outside:

Terrace sketch PPT.jpg© 2025 Frank Lloyd Wright Foundation, Scottsdale, AZ. The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York), from Jim and Margaret Yoghourtjian’s collection

Next, is from David Archer’s collection. He grew up in the house between 1947 – 1957:

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Schuyler and Peterkin Seward were stewards of the house from 1957 – 1963:

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Jim and Margaret Yoghourtjian were the final stewards (1968 – 2012) before the late Gene Szymczak who bought, and rehabilitated the house in 2012. Margaret took these photos:

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The beach was lost in the 1970s when the City of Racine closed off a breakwater across from the house. Jim Yoghourtjian told me that they lost about 125 feet of property when the lake filled in below the house. While the Yoghourtjians used to share the house with interested parties, as they sensed people were taking them for granted and not respecting that they lived in a private home, rather than a public site, they let the landscape grow wild, to shield them from boaters on the lake and people walking the lakeshore:

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A week after buying the house, Szymczak had the hill cleared:

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And that, brings us to today:

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There is no telling what the lake will do next.

 

 

Updates: Tower Tumult; Ann MacGregor

© Mark Hertzberg (2025)

Tower Tumult: On August 14 I posted about the critical situation facing Frank Lloyd Wright’s Price Tower in Bartlesville, Oklahoma (I do not know why the URL mentions the unrelated SC Johnson Research Tower). The post includes a variety of photos of Price Tower:

https://wrightinracine.net/tag/sc-johnson-research-tower/

Oklahoma Frank Lloyd Wright Price Tower 002.jpg

On January 16 a judge ordered that utilities (heat) be restored to the building. On January 21 he ordered the sale to a responsible party from Tulsa that is known for their restoration of an historic hotel there. On January 22 the current owners filed for bankruptcy. They have still not turned the utilities back on, and so this saga drags on. The question of Wright artifacts from the building that were given to an auction house in Dallas, in spite of an easement prohibiting that has not been resolved, either. Among the heroes in this story are the staff and legal counsel of the Frank Lloyd Wright Building Conservancy. Their continuing updates on the story are at:

https://savewright.org/endangered-price-tower-in-bartlesville-oklahoma/

The Building Conservancy is going deep, deep into their funds set aside for legal work as the battle to save the building drags on. Please don’t let the sunset on the building, as I literally did when I took this photograph in 2014. Hint: they would welcome your financial support at:

https://savewright.org/give/

Remembering Ann MacGregor: On November 23 I posted a tribute to the late Ann MacGregor, one of the heroes in Mason City, Iowa’s successful quest to save Wright’s only extant hotel commission, the then-dilapidated Park Inn Hotel and adjoining City National Bank building. The hotel is now a successful boutique hotel:

https://wrightinracine.net/2024/11/23/remembering-ann-macgregor/

LR Pre-dinner 012.jpgAnn MacGregor with Scott Perkins of the Frank Lloyd Wright Building Conservancy, 2012

My tribute to Ann mentioned her long-term correspondence with Marshall Jones, a friend of mine, who is serving two consecutive life terms for homicide in Wisconsin. He became interested in Wright after I interviewed him for a project about the criminal justice system.

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I wrote Marshall to tell him about Ann’s passing, and sent him a copy of my story. He wrote me back last week (mail to the prison system faces interminable delays while it is sent to a place in Maryland that copies incoming letters and then sends the copies to inmates) with his own tribute to Ann:

“I appreciate you for sending me the news of Ann’s passing. A part of me was deeply saddened, but another part of me was greatly appreciative that I had the privilege of being considered her friend, She was so much more than someone that I corresponded with. She was someone who brought unconditional love, unconditional positive regard, she allowed me to peer into her beautiful family, and she gave me priceless guidance. She didn’t see me by my conviction, nor did she allow me to accept my worst decision as the resounding theme for my life. She was ruthless when it came to goals, and when you said that you wanted to accomplish something, she pressed you until it was done. She was amazingly supportive and she encouraged me with gentleness and love. You knew that Ann had your back. We talked about Mr. Wright, religion (we were both Christians), politics, family, and life. Her disposition increased in positivism even in the face of diminishing health. So, I am grateful for her life, and for her presence in my life. I was so blessed by her, and I am better because of her friendship. It was much deeper than correspondence. With Ann and Bruce (Bruce Brooks Pfeiffer also corresponded with Marshall), I was family. I now carry her with me everywhere I go.”

Well, Marshall, my story was more of the nuts and bolts of her life, as we used to say in the newsroom. You captured her essence. Thank you.

Greek Church Roof Resplendent Again

© Mark Hertzberg (2024)

The brilliant blue dome roof of Frank Lloyd Wright’s Annunciation Greek Orthodox Church in Wauwatosa, Wisconsin shines again. First, let us dismiss the old saw or canard about Wright’s roofs. Yes, many have leaked, but so have the roofs of countless buildings that Frank Lloyd Wright did not design. The church, which Wright designed in 1956, and which was completed in 1961, two years after he died, is in the midst of a major repair project. The roof has been repaired (no, it had not been leaking, but it had been deteriorating) and the front steps and entry way are being rebuilt. The front steps are integral to the foundation of the building.

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The roof was originally covered in thousands of blue tiles. The tiles started popping off in the extremes of Wisconsin’s weather. and the roof was covered in a blue polyurethane coating. Today, the only remaining tiles are on the arched canopy above the front doors:

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I photographed the roof work in mid-October:

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The church on Saturday December 7:

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The general contractor for the repair work is CG Schmidt, the roofing contractor was F.J.A. Christensen Roofing Company.

While many people think of the church solely as an architectural landmark, it is, of course, primarily a church. In May 2013 I was given the privilege of photographing Good Friday services there. This is a link to those photos:

https://wrightinracine.net/2013/05/04/good-friday-at-annunciation-greek-orthodox-church/

I had been given free rein to photograph the interior of the church a few weeks earlier:

https://wrightinracine.net/2013/04/12/annunciation-greek-orthodox-church-2/ of the

Annunciation Greek Orthodox Church website:

https://www.annunciationwi.org =

John Gurda’s book is the definitive history of the church:

https://www.goodreads.com/book/show/21443265-new-world-odyssey

Please scroll down for previous stories on this website

Remembering Ann MacGregor

Photos and text © Mark Hertzberg (2024)

Ann MacGregor one of Mason City, Iowa’s heroes in helping save Frank Lloyd Wright’s last surviving hotel, the Park Inn, and the adjacent City National Bank, died peacefully October 2, it was announced today.

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The hotel and bank buildings, which opened in 1910, had deteriorated so badly that the city had put them up for sale on eBay in the late 1990s or early 2000s. Mason City rallied to save the buildings. Ann served as Executive Director of the newly formed Wright on the Park. Today the Historic Park Inn Hotel is a popular boutique hotel for visitors to Mason City, whether or not they are there on a Wright pilgrimage.

Ann was a genial, giving person. Her obituary outlines her life of service, including as a nurse on the medical ship SS HOPE and as a public health nurse for the Migrant Action Program in the late 1960s in Mason City.

https://www.bratleyfamilyfuneralhomes.com/obituary/ann-macgregor

In 2013 she published a book about her six years service around the world on the HOPE, beginning in 1958 [it is no longer in print]:

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I met Ann in May 2005 when the late Bob (Dr. Robert) McCoy, another one of Mason City’s heroes in saving the hotel and bank building, invited me there to give a talk, and I began photographing the buildings. They were still in a raw state. Ann and I connected in two other ways, one as passionate bicyclists.

The other story tells you quite a bit more about Ann. She began corresponding with Marshall Jones after I told her about his insights into Wright’s work. Jones is serving two consecutive life terms in a Wisconsin prison for a double murder.

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When I interviewed Jones in 2008 for a project about the criminal justice system he told me how much he enjoys reading “anything I can get.” I sent him my Wright in Racine book. He quickly sent me an incisive review back. We began corresponding, in large part about Wright. How much does Jones understand Wright? In addition to Ann being impressed by his insights, the late Bruce Brooks Pfeiffer corresponded with Jones, as well, after I sent Pfeiffer some of Jones’s letters about Wright’s work. When I sent the late Ron McCrea Jones’s review of his Building Taliesin, McCrea wrote me that Jones picked up on a point that no one else had, and he was going to quote him in a talk at Taliesin West. Ann corresponded with Jones for many years, and Jones often wrote me how much he appreciated her letters and friendship. Now I must write him about Ann’s passing.

Ann’s memorial service will be Saturday November 30, as noted in the obituary. I will leave you with a photo of Ann in the bank building in 2010, and of Ann and Bob McCoy she and Wright on the Park were honored with the Frank Lloyd Wright Building Conservancy’s prestigious Wright Spirit Award on October 13, 2012, during the group’s annual conference:

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Thank you, Ann, for your friendship and service.

(My remembrance of Bob McCoy is at:

https://wrightinracine.net/tag/bob-mccoy/

Please scroll down for previous posts on this website.

“Photographing Wright” in Chicago

Text and photos © Mark Hertzberg (2024)

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A new exhibit related to Frank Lloyd Wright opened two weeks ago at the Driehaus Museum in Chicago. The museum is in the former Gilded Age Nickerson Mansion (1883) on Chicago’s Near North Side, at 50 East Erie Street.

LR IMG_9023.jpg“Photographing Frank Lloyd Wright” is not just another exhibit of Wright’s designs and the stories behind them. Although the Frank Lloyd Wright Home and Studio Foundation published “Frank Lloyd Wright’s Fifty Views of Japan” in 1996, it may not be well known that Wright was an avid photographer early in his career. He had a darkroom at his Home and Studio.

The exhibit features some of his photography, including self portraits, photographs of Hillside Home School, photos of the Home and Studio, and some of the photographs he took in Japan in 1905. There is even one he took of his first wife, Catherine Tobin Wright, reading to one of their sons. The balance of the exhibit on the museum’s second and third floors shows how a variety of noted photographers of his work interpreted his buildings. The photographers featured are Henry Fuermann & Sons,  Hedrich-Blessing, Pedro Guerrero, Torkel Korling, Julius Shulman, Ezra Stoller, and Edmund Teske. Fuermann’s 4×5 camera is shown above.

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Put out of your mind the ease of taking pictures today, and take another look at Fuermann’s camera. It used single sheets of film which had to be taken out of the camera after each photograph was taken (unlike my cameras which can take 10 frames a second). Each photograph would be carefully composed. There was no “chimping” (the term photojournalists use to describe their colleagues who quickly look at the screen on the back of the camera to see if they got the image they wanted), each sheet of film had to be developed in the darkroom. The image was reversed on a negative. Photographers get adept at “reading” negatives, but only after making a print did the photographer know for certain if the exposure was correct, and the composition perfect.

LR IMG_9025.jpgThe print and negative of a Fuermann photo of Midway Gardens

The timeline of the photographs covers Wright’s career, from photos of students at the first Hillside Home School for his aunts, through to the Guggenheim Museum. A number of the exhibit pieces are from Eric O’Malley’s extraordinary collection, and are shown courtesy of the OA+D (Organic Architecture and Design) archives.

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When people ask me what attracts me to Wright’s work I reply that it is the breadth of it, so one of my favorite parts of the exhibit was in the section devoted to Pedro Guerrero’s work. On the left in the photo below we see the Robert Llewellyn House (1953) in Bethesda, Maryland, and upper right is the Rose Pauson House (1940) near Phoenix. Look at these two photographs taken from the same vantage point (below the house, looking up) and look at how the same photographer recorded the same architect’s different interpretations of a client’s needs a decade apart (the third photo is Guerrero’s photo of the David and Gladys Wright House near Phoenix, 1950). Wright’s vocabulary has changed dramatically, to respond to the program on his drawing board.

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The only negative aspect of the exhibit is that I was surprised to find four significant errors in the text panels accompanying the photographs, this two weeks after it opened. The staff responded graciously when I mentioned the errors, and I expect that they will be corrected.

The exhibit runs through January 5, 2025. While any visit to the Driehaus is worthwhile, this one makes it even more so. Two years ago the museum had a wonderful exhibit dedicated to Richard Nickel and Louis Sullivan. The late Richard H. Driehaus, who restored the Nickerson Mansion, is well known to readers of the National Trust for Historic Preservation magazine, Preservation. Admission is free to visitors who have North American Museum Reciprocity passes.

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Links:

Driehaus Museum:

https://driehausmuseum.org/exhibition/photographing-frank-lloyd-wright

OA+D:

https://oadarchives.org

Frank Lloyd Wright Trust:

https://flwright.org

Frank Lloyd Wright Foundation:

https://franklloydwright.org

National Trust for Historic Preservation:

https://savingplaces.org

Please scroll down for earlier posts on this site

My Wright Eye – September 6, 2024

© Mark Hertzberg (2024)

I have just finished helping lead my 17th Road Scholar Frank Lloyd Wright tour. The number is important because it speaks to my challenge to try to find something different to photograph each time I visit a familiar Wright commission. I look for something other than a literal building photo. Here is what I found this week at some of the buildings. They are shown in the order in which we visited the Wisconsin buildings in this Illinois / Wisconsin tour (a link to the itinerary is at the end of the post):

Looking up at the adjoining eaves of two Burnham Block duplexes, Milwaukee:

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Looking up stairway from the basement, Annunciation Greek Orthodox Church

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The roof of the Unitarian Meeting House, Madison, from across the parking lot:

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Wyoming Valley School, Spring Green:

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Reflections of east classroom windows in the west classroom window:

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Wyoming Valley School 9.6.24 008.jpgThe reflections were visible only when I was seated at a desk, and disappeared when I stood

Assembly Hall, Wyoming Valley School:

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Entrance Hall, Wyoming Valley School:

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Private dining room, Riverview Terrace Restaurant

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Drafting Room at Hillside:

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Outside the drafting room:

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Romeo and Juliet Windmill, as the weather changed:

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Road Scholar Wright Tour:

https://www.roadscholar.org/find-an-adventure/22976/Architectural-Masterworks-of-Frank-Lloyd-Wright

Please scroll down to read previous articles on this website.

The Coda to Hardy House Rehabilitation

© Mark Hertzberg (2024)

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When the late Eugene (Gene) Szymczak considered buying Frank Lloyd Wright’s Thomas P. Hardy House in Racine, Wisconsin in 2012 he told me, “I don’t have children. This is something [save the house] I could do for Racine.” Indeed he did. He undertook a heroic rehabilitation and stabilization of the house.* Gene, left of center in the photo below, was awarded the prestigious Wright Spirit Award by the Frank Lloyd Wright Building Conservancy  for his work on the house in 2015. He died unexpectedly a year later after an illness.

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The house stayed in the family after Gene’s death. Tom Szymczak is one of Gene’s brothers. Tom recently completed a project which, he told me, was the last thing Gene wanted to accomplish at the house. The house was built with two pocket doors. They were replaced by conventional, hinged plain wood doors by the third stewards of the house, David and Mary Archer, between 1947 and 1957:

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Gene decided to put pocket doors back in the house in 2013. He chose sliding glass patio-style doors so he could look into the two courtyards from the entry hall. The heavy metal arms that opened and closed the pocket doors were left in place, and were found in 2013:

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The house was built with leaded glass windows throughout, including in the dramatic two-story living room overlooking Lake Michigan. Anne Ruetz, whose parents were second stewards of the house (1938 – 1947) told me her parents replaced the windows with plain glass ones because the original ones leaked. When Gene put in energy efficient windows he jokingly told me that the next owners of the house could bear the expense of replicating Wright’s window design. Little did he know, of course, that he would be shifting the burden to his brother. 1908 photographs, which are used courtesy of the OA + D Archives, show the original leaded glass living room windows:

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Instead of replicating the design in the living room, Gene intended to have the design fashioned for the pocket doors. The work was completed earlier this month, with window inserts made by Oakbrook Esser of Oconomowoc, Wisconsin. The installation photos show Tom Szymczak, left, and master craftsman Chad Nichols:

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Thank you, Gene, for your gift to our community and to the World of Wright!

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The first people outside of family and friends to see the new windows will be 17 members of a Road Scholar Wright tour next Wednesday. They will be followed by several hundred people attending Wright in Wisconsin’s “Wright and Like” tour Saturday September 7.

*The term “rehabilitation” is appropriate, rather than “restoration,” because there were some changes to the house. “Restoration” would infer house museum status, accurate to either the day Hardy moved into the house (1906) or left it (in 1938) after losing it at sheriff’s auction because of monies owed on the house.

Links:

Frank Lloyd Wright Building Conservancy:

www.savewright.org

Wright and Like Tour:

https://wrightinwisconsin.org/wright-and-2024

Road Scholar Architectural Masterworks of Frank Lloyd Wright Tour (run 4 or 5 a year)

https://www.roadscholar.org/find-an-adventure/22976/Architectural-Masterworks-of-Frank-Lloyd-Wright

Please scroll down to read previous posts