“Photographing Wright” in Chicago

Text and photos © Mark Hertzberg (2024)

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A new exhibit related to Frank Lloyd Wright opened two weeks ago at the Driehaus Museum in Chicago. The museum is in the former Gilded Age Nickerson Mansion (1883) on Chicago’s Near North Side, at 50 East Erie Street.

LR IMG_9023.jpg“Photographing Frank Lloyd Wright” is not just another exhibit of Wright’s designs and the stories behind them. Although the Frank Lloyd Wright Home and Studio Foundation published “Frank Lloyd Wright’s Fifty Views of Japan” in 1996, it may not be well known that Wright was an avid photographer early in his career. He had a darkroom at his Home and Studio.

The exhibit features some of his photography, including self portraits, photographs of Hillside Home School, photos of the Home and Studio, and some of the photographs he took in Japan in 1905. There is even one he took of his first wife, Catherine Tobin Wright, reading to one of their sons. The balance of the exhibit on the museum’s second and third floors shows how a variety of noted photographers of his work interpreted his buildings. The photographers featured are Henry Fuermann & Sons,  Hedrich-Blessing, Pedro Guerrero, Torkel Korling, Julius Shulman, Ezra Stoller, and Edmund Teske. Fuermann’s 4×5 camera is shown above.

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Put out of your mind the ease of taking pictures today, and take another look at Fuermann’s camera. It used single sheets of film which had to be taken out of the camera after each photograph was taken (unlike my cameras which can take 10 frames a second). Each photograph would be carefully composed. There was no “chimping” (the term photojournalists use to describe their colleagues who quickly look at the screen on the back of the camera to see if they got the image they wanted), each sheet of film had to be developed in the darkroom. The image was reversed on a negative. Photographers get adept at “reading” negatives, but only after making a print did the photographer know for certain if the exposure was correct, and the composition perfect.

LR IMG_9025.jpgThe print and negative of a Fuermann photo of Midway Gardens

The timeline of the photographs covers Wright’s career, from photos of students at the first Hillside Home School for his aunts, through to the Guggenheim Museum. A number of the exhibit pieces are from Eric O’Malley’s extraordinary collection, and are shown courtesy of the OA+D (Organic Architecture and Design) archives.

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When people ask me what attracts me to Wright’s work I reply that it is the breadth of it, so one of my favorite parts of the exhibit was in the section devoted to Pedro Guerrero’s work. On the left in the photo below we see the Robert Llewellyn House (1953) in Bethesda, Maryland, and upper right is the Rose Pauson House (1940) near Phoenix. Look at these two photographs taken from the same vantage point (below the house, looking up) and look at how the same photographer recorded the same architect’s different interpretations of a client’s needs a decade apart (the third photo is Guerrero’s photo of the David and Gladys Wright House near Phoenix, 1950). Wright’s vocabulary has changed dramatically, to respond to the program on his drawing board.

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The only negative aspect of the exhibit is that I was surprised to find four significant errors in the text panels accompanying the photographs, this two weeks after it opened. The staff responded graciously when I mentioned the errors, and I expect that they will be corrected.

The exhibit runs through January 5, 2025. While any visit to the Driehaus is worthwhile, this one makes it even more so. Two years ago the museum had a wonderful exhibit dedicated to Richard Nickel and Louis Sullivan. The late Richard H. Driehaus, who restored the Nickerson Mansion, is well known to readers of the National Trust for Historic Preservation magazine, Preservation. Admission is free to visitors who have North American Museum Reciprocity passes.

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Links:

Driehaus Museum:

https://driehausmuseum.org/exhibition/photographing-frank-lloyd-wright

OA+D:

https://oadarchives.org

Frank Lloyd Wright Trust:

https://flwright.org

Frank Lloyd Wright Foundation:

https://franklloydwright.org

National Trust for Historic Preservation:

https://savingplaces.org

Please scroll down for earlier posts on this site

Wright’s Birthday: Wright in the Abstract

Photos © Mark Hertzberg (2024)

LR Frank Lloyd Wright in Racine.jpgSC Johnson Administration Building, Racine (1936)

It is June 8, Frank Lloyd Wright’s 157th birthday. Social media sites devoted to Wright are abuzz every year with birthday tributes. Sometimes I have something to post on “the day,” but not always. (June 8, 1968 or 6.8.68, my high school graduation day, is more significant to me personally, but that’s another story). I had nothing in mind to post this year until I took my customary morning bike ride and passed his Thomas P. Hardy House and the SC Johnson Administration Building and Research Tower which are on my bike route in Racine. I thought back to the fall of 2022 when my alma mater, Lake Forest (Illinois) College, honored me with a 50th anniversary Homecoming dual photo exhibit. One gallery was devoted to my career as a photojournalist, the other to my Wright-related photography. As I pedaled down Main Street this morning I decided to share the latter with you. The thesis of the exhibit was to present “Wright in the Abstract,” rather than only in record shots or head-on photos of his work. My challenge was to cull a few dozen photos of several thousand. The photos are in chronological order, based on the year of the commission, not the year of completion.

Romeo and Juliet Windmill, Spring Green (originally 1896, rebuilt 1938 and 1992):

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Thomas P. Hardy House, Racine (1904-1905):

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Meyer May House, Grand Rapids (1908):

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Hollyhock House, Los Angeles (1917):

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Taliesin III, Spring Green (1925):

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Tour guests in Wright’s bedroom at Taliesin III:

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Hillside Drafting Room, Spring Green (1932):

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SC Johnson Administration Building (1936) and Research Tower (1943-1944):

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Herbert F. Johnson Jr. Home (Wingspread), Wind Point (1937):

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Florida Southern College, Lakeland (Beginning in 1938):

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SC Johnson Research Tower, Racine (1943-44):

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Solomon R. Guggenheim Museum, New York (1943):

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Price Tower, Bartlesville (1952):

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Annunciation Greek Orthodox Church, Wauwatosa (1956):

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Lindholm Service Station, Cloquet, Minnesota (1957):

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Marin County, California, Civic Center (1957):

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I will close with a photo I took just a few weeks ago when I was given the opportunity to preview the newly-restored Hillside Theater (1952), which is being inaugurated this evening, literally just as I am putting this piece together:

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People have often asked me what attracts me to Wright’s work. As a photographer, I have a visual attraction to his work. That grew in part out of my newspaper photo assignments at the SC Johnson Administration Building. But beyond that, as I began to study his work, I was struck by the evolution of his designs from the 1890s until his death in 1959. Happy birthday, Frank Lloyd Wright, and thank you for your contributions to helping us reimagine the spaces in which we live, work, and worship.

Please scroll down in http://www.wrightinracine.com for previous posts

 

Wright in the Abstract

Photos © Mark Hertzberg (2022)

I had to edit 34,575 Frank Lloyd Wright building images (or 185.62 GB) down to 30 photos for an exhibit.

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Here’s the backstory: Lake Forest (Illinois) College, my alma mater, honored me with two concurrent exhibits this month for my 50th anniversary Homecoming. Rebecca Goldberg, Lecturer in Art and Director of the Gallery in the Romanesque Durand Art Institute building, initially asked me just to include a handful of my Frank Lloyd Wright work in an exhibit of my career in photojournalism. I found it hard to edit the Wright work down to just four or so photos. Fortunately there was enough space in two galleries to mount two separate exhibits, each with 30 prints. I decided to pick mostly abstract interpretations of Wright’s work than show perhaps predictable building photos. My selection is below, in alphabetical order of the commissions:

LR Annunciation Greek Orthodox Church (1956) .jpgAnnunciation Greek Orthodox Church, Wauwatosa, Wisconsin, 1956

LR Florida Southern College (1938)  .jpgFlorida Southern College, Lakeland, Florida, 1938

LR Florida Southern College (1938) .jpgFlorida Southern College, Lakeland, Florida, 1938

LR Florida Southern College (1938).jpgFlorida Southern College, Lakeland, Florida, 1938

LR Guggenheim Museum (1943).jpgGuggenheim Museum, New York City, 1943

LR Hillside Drafting Studio (ca. 1933).jpgHillside Drafting Room, Taliesin, Spring Green, Wisconsin, 1933

LR Hollyhock House (1919).jpgHollyhock House, Los Angeles, 1919

LR Imperial Hotel (1915).jpgImperial Hotel entry way, Tokyo, 1915, as rebuilt at Meiji Mura near Nagoya, Japan

LR Lindholm Service Station (1956).jpgLindholm Service Station, Cloquet, Minnesota, 1956

LR Marin County Civic Center (1957) .jpgMarin County Civic Center, San Rafael, California, 1957

LR Marin County Civic Center (1957).jpgMarin County Civic Center, San Rafael, California, 1957

LR Meyer May House  (1908) .jpgMeyer May House, Grand Rapids, Michigan, 1908

LR Meyer May House (1908) .jpgMeyer May House, Grand Rapids, Michigan, 1908

LR Meyer May House (1908).jpgMeyer May House, Grand Rapids, Michigan, 1908

LR Price Tower (1956)   .jpgPrice Tower, Bartlesville, Oklahoma, 1952

LR Price Tower (1956) .jpgPrice Tower, Bartlesville, Oklahoma, 1952

LR Price Tower (1956).jpgPrice Tower, Bartlesville, Oklahoma, 1952

LR Romeo and Julie Windmill (1898).jpgRomeo and Juliet Windmill, Taliesin, Spring Green, Wisconsin, 1898

LR SC Johnson Administration Building (1936).jpgSC Johnson Administration Building, Racine, Wisconsin, 1936

LR SC Johnson Addition (1943-44).jpgSC Johnson Administration Building, Racine, Wisconsin, 1936

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SC Johnson Administration Building, Racine, Wisconsin, 1936

LR SC Johnson Research Tower (1943-44) .jpgSC Johnson Research Tower, Racine, Wisconsin, 1943/44

LR Taliesin (1911, 1925)    .jpgTaliesin, Spring Green, Wisconsin, 1911, 1925

LR Taliesin (1911, 1925)   .jpgTaliesin, Spring Green, Wisconsin, 1911, 1925

LR Taliesin (1911, 1925).jpgTaliesin, Spring Green, Wisconsin, 1911, 1925

LR Taliesin Visitors (1911, 1925).jpgTaliesin, Spring Green, Wisconsin, 1911, 1925

LR Thomas P. Hardy House (1904-05).jpgThomas P. Hardy House, Racine, Wisconsin, 1904/05

LR Wingspread (1937) .jpgWingspread, Wind Point, Wisconsin, 1937

LR Wingspread (1937).jpgWingspread, Wind Point, Wisconsin, 1937

Now, as for those 34,575 images…if I had time to go through them, a good chunk could be deleted. But who has time to do that?

Hours for the gallery…the show runs through October 30:

https://www.lakeforest.edu/academics/majors-and-minors/art-and-art-history/art-galleries

Keep scrolling down for previous posts on the website…

Rainy Day Post #2 – Guggenheim Dome Evolution

Photos (c) Mark Hertzberg (2020)

Saturday I wrote that it’s like a rainy day, and I am taking time to clean up my desktop and post some things that have been in limbo. There will be a third Rainy Day Frank Lloyd Wright post – the one with what I referred to as a “smattering” of photos from many Wright sites – possibly tomorrow.

I noted in my 2004 book Wright in Racine that Wright’s initial design for the dome of the Guggenheim Museum in 1943 was identical to the one he later used for the dome built over the advertising department in the SC Johnson Administration Building in Racine. That space was added concurrently with the construction of the SC Johnson Research Tower (designed in 1943/44, constructed 1947-1950). (The space is now home to the company’s Global Affairs and related departments)

The Advertising Department’s dramatic glass dome is now an architectural icon of the company. It embodies the design Wright proposed in 1943 for the Guggenheim Museum.
The dome now has a white cover now to lessen the heat from the sun.

Visitors to the 2017 “Unpacking the Archive” exhibit at the Museum of Modern Art in New York City (MoMA) saw the Johnson version of the dome on the Guggenheim model in the exhibit:

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This exhibit was labled: “Tension ring study model for Johnson Wax Research Tower, Racine, Wisconsin  1943-50  Steel.” There was no mention of its similarity to the Guggenheim proposal.

Wright’s final design for the dome has been photographed many times:

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