Hardy at Sunrise / Photo Workshop

© Mark Hertzberg (2025)

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Why in the blazes would I set the alarm for 6 a.m. on a Saturday a week ago? Really, why? We are in the midst of moving (after 47 years!) and sleeping in would have been swell. So, yeah, well, why? To help Andrew Pielage who was conducting one of his photo workshops in Racine.

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People sometimes ask my about what brand of camera is best. My answer is that the photographer’s eye is more important than the nameplate. I use Nikons because I am looked into their lens system. I have long carried a new go-to camera in my pocket…my smartphone. I recently upgraded to the iPhone 17 Pro. My friend Harvey Riekoff asked me what I thought of the camera…all the photos in this post were taken with the phone. It makes me think of cartoonist Aaron Johnson’ What the Duck t-shirt that I was given a few years ago: “Your camera takes great pictures!” To which the duck answered, “Your mouth makes nice compliments!” And, now photos of Andrew’s guests:

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(My wife has a collection of photos of me on my back taking photos in Wright homes and other historic sites…I had to take this photo!)

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For more information about Andrew Pielage’s Photo Workshops;

https://www.apizm.com/events-calendar

Please scroll down to read previous posts on this website.

 

 

Hardy Reflections and Shadow Play 8.5.25

Photos © Mark Hertzberg (2025)

Hardy Shadow Play 8.5.25 001.JPEGOne of the entry way hallway windows is reflected in the two story living room windows that overlook Lake Michigan.

One of the aspects of Frank Lloyd Wright’s Thomas P. Hardy House that continually fascinates me is the shadow play from the seven windows in the entry hallway. I had the opportunity to have fun with the reflections and shadow play again when I met at the house with Sam Lubell yesterday. Lubell and photographer Andrew Pielage are working on a book about 50 Wright homes for Rizzoli (more about that in a future post).

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As Robert McCarter has pointed out, the floor plan of the house is delineated in white in the windows: the square in the middle represents the public areas, the two story living room and the dining room one floor below. When I lead tours of the house I remind the guests that the only computer Wright had when he came up with such designs was the one between his ears.

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The rectangle that bisects the square represents the bedrooms at either end of the two main floors. We now add to the drama of the seven Wright-designed windows the leaded glass inserts in the two sliding entry doors (one north, one south). They replicate the design of Wright’s living room windows, which were taken out by the second stewards of the house (1938 – 1947) because they leaked. They were replaced by clear windows.

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These quick happy snaps were taken with my phone camera…elapsed time, except for the top photo, seven minutes. Every time I turned I saw another photo. Thank you Gene and Tom and Joan Szymczak, for rehabilitating the house for us to enjoy!

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The Coda to Hardy House Rehabilitation

© Mark Hertzberg (2024)

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When the late Eugene (Gene) Szymczak considered buying Frank Lloyd Wright’s Thomas P. Hardy House in Racine, Wisconsin in 2012 he told me, “I don’t have children. This is something [save the house] I could do for Racine.” Indeed he did. He undertook a heroic rehabilitation and stabilization of the house.* Gene, left of center in the photo below, was awarded the prestigious Wright Spirit Award by the Frank Lloyd Wright Building Conservancy  for his work on the house in 2015. He died unexpectedly a year later after an illness.

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The house stayed in the family after Gene’s death. Tom Szymczak is one of Gene’s brothers. Tom recently completed a project which, he told me, was the last thing Gene wanted to accomplish at the house. The house was built with two pocket doors. They were replaced by conventional, hinged plain wood doors by the third stewards of the house, David and Mary Archer, between 1947 and 1957:

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Gene decided to put pocket doors back in the house in 2013. He chose sliding glass patio-style doors so he could look into the two courtyards from the entry hall. The heavy metal arms that opened and closed the pocket doors were left in place, and were found in 2013:

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The house was built with leaded glass windows throughout, including in the dramatic two-story living room overlooking Lake Michigan. Anne Ruetz, whose parents were second stewards of the house (1938 – 1947) told me her parents replaced the windows with plain glass ones because the original ones leaked. When Gene put in energy efficient windows he jokingly told me that the next owners of the house could bear the expense of replicating Wright’s window design. Little did he know, of course, that he would be shifting the burden to his brother. 1908 photographs, which are used courtesy of the OA + D Archives, show the original leaded glass living room windows:

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Instead of replicating the design in the living room, Gene intended to have the design fashioned for the pocket doors. The work was completed earlier this month, with window inserts made by Oakbrook Esser of Oconomowoc, Wisconsin. The installation photos show Tom Szymczak, left, and master craftsman Chad Nichols:

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Thank you, Gene, for your gift to our community and to the World of Wright!

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The first people outside of family and friends to see the new windows will be 17 members of a Road Scholar Wright tour next Wednesday. They will be followed by several hundred people attending Wright in Wisconsin’s “Wright and Like” tour Saturday September 7.

*The term “rehabilitation” is appropriate, rather than “restoration,” because there were some changes to the house. “Restoration” would infer house museum status, accurate to either the day Hardy moved into the house (1906) or left it (in 1938) after losing it at sheriff’s auction because of monies owed on the house.

Links:

Frank Lloyd Wright Building Conservancy:

www.savewright.org

Wright and Like Tour:

https://wrightinwisconsin.org/wright-and-2024

Road Scholar Architectural Masterworks of Frank Lloyd Wright Tour (run 4 or 5 a year)

https://www.roadscholar.org/find-an-adventure/22976/Architectural-Masterworks-of-Frank-Lloyd-Wright

Please scroll down to read previous posts

Windows on Main Street

© Mark Hertzberg (2024)

I have written before that I always challenge myself to see something new even on my umpteenth visit to a given Frank Lloyd Wright – designed building. I was blasé today as I took my friend Robert Hartmann on a tour of the Thomas P. Hardy House on Main Street in Racine, Wisconsin, as he prepared for Wright in Wisconsin’s forthcoming “Wright and Like” tour scheduled for September 7. Hartmann expects between 300 – 500 guests and wanted to figure out the best way for guests to wind through the compact house, and how many docents he would need.

The light was less than spectacular and there was nothing new to see. I had biked to the house so my only camera was my smartphone. I think phone cameras sometimes oversaturate colors, but that camera was all I had when I unexpectedly saw this in the second floor windows above the south stairs:

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So much for being blasé!

Here is a link for more information about the tour:

https://wrightinwisconsin.org/wright-and-2024

I served on Wright in Wisconsin’s board for 14 years. They are the only statewide Wright group, originally founded in cooperation with the state Department of Tourism to promote Wright tourism in Wisconsin.

Please scroll down for previous articles or blog posts.

My Wright Eye – May 2024

Photos © Mark Hertzberg (2024)

I had a half hour wait before meeting 22 guests coming from coast-to-coast to Frank Lloyd Wright’s Thomas P. Hardy House on their weeklong Road Scholar tour (I am with the group as a Road Scholar guide for three days on these tours, as they travel through Racine, Milwaukee, Madison, and Spring Green). I have been in the house countless times, including leading 14 of these tours. While I try to see something new on every visit to a familiar Wright design, I did not think there was anything new to see in the house.  I had already played Wordle and my other daily games phone games. I had already looked at my emails. I plopped down in a chair in the living room and looked up. I looked up some more and then I knew what I had to do…I had to lie down on the floor and start taking pictures of the ceiling.

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Then I walked over to the stairs and looked up at the second floor:

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When I then went outside to greet the bus, I saw reflections of Wright’s leaded glass front hallway windows and their reflected images in a new way:

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Today, as our guests toured Wright’s American System-Built duplex at 2132/34 W. Burnham Street in Milwaukee, I looked down instead of up. The duplex is being restored with help from a Save Americas Treasures grant. These are the back stairs:

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On-line links:

Road Scholar’s “Architectural Masterworks of Frank Lloyd Wright tour:

https://www.roadscholar.org/find-an-adventure/22976/Architectural-Masterworks-of-Frank-Lloyd-Wright

Frank Lloyd Wright’s Burnham Block:

http://wrightinmilwaukee.com

Please continue to scroll down to view and read previous posts

Hardy: Light, Shapes, Shadows

Photos © Mark Hertzberg (2023)

One of my favorite things in Frank Lloyd Wright’s Thomas P. Hardy House (1904/05) in Racine, Wisconsin, is the bank of seven windows in the front hall. I am taken both by the design – Robert McCarter has written that the floor plan of the house is articulated in white* – but particularly how the shadow of the pattern is projected into, and around, the front hall by the afternoon sun.

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The first photo, below, is a file photo of one of the original windows (the windows have since been replicated and replaced). It was protected from vandals, who had previously thrown stones at it, by a layer of plastic. Next, are photos of the patterns I was delighted to find yesterday afternoon when I stopped to drop something off at the house.

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*The square in the middle represents the public spaces (the two story living room and the dining room below it) and the thin rectangle that bisects it shows us the private family rooms at both ends of the house.

Please scroll down to read previous posts on this blog or website.

Vox: SCJ and Hardy

© Mark Hertzberg (2022)

Phil Edwards, who makes wonderful Wright multi-media pieces at Vox, contacted me this summer about a piece he was going to produce about the SC Johnson Administration Building in August. He asked about the Hardy House, which is just five blocks east of SC Johnson. Hardy House steward Tom Szymczak graciously gave me permission to take Edwards inside the house and film there when he came to Racine.

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The piece just went live and it has an interesting perspective at the end. I welcome your comments. You do have to bear with some ads…which pay the bill , making Edwards’ endeavors possible. It is very, very, very well produced as is a previous piece he did about the Pope-Leighy House. Here is a link to the SCJ / Hardy piece:

https://www.youtube.com/watch?v=yb-kYt1lpnI

I leave you with a photo I took when we were in the Hardy House…a reflection of one of the front hall windows seen in one of the living room windows, across the house. What a brilliant detail!

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Wright Tourism is Back: Bits of Burnham

© Mark Hertzberg (2022)

LR Burnham 2022 010.jpgSybil Knop talks to Road Scholar guests touring the Burnham Block May 19

The pandemic is far from over, but Wright tourism is ramping up again. I have helped lead the Wisconsin portion of Road Scholar’s week-long tour that starts in Chicago and ends in Spring Green since 2017 (a link to the itinerary is below). This week is our first of three tours for this year since 2019.. We have 16 guests from 10 states on this tour. Our first stop was the Burnham Block in Milwaukee which has six American System-Built homes, most owned by Frank Lloyd Wright’s Burnham Block, Inc.

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I always challenge myself to see if I can find fresh photographs at Wright sites, no matter how often I have visited them. Here is what I saw on the Burnham Block after two years away from my Wright photo quests. I have two establishing shots showing signs of spring:

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I concentrated more on patterns or design elements that I saw, mostly at the duplexes (dupli?) at 2032 – 2034 W. Burnham Street, left, and 2028 – 2030 next door.

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LR Burnham 2022 018.jpgThis is not a version of the Frank Lloyd Wright signature tile…it is one of the faded red squares that have been used as social distancing markers on Burnham Street.

LR Burnham 2022 017.jpgI thought Frank Lloyd Wright hated basements.” They were not his favorite spaces, but he did not eschew them entirely. This is one of the vents from the basement at 2032 – 2034.

I told our guests that one of the great benefits of touring 2032 – 2034 is that while they generally see fully restored or rehabilitated Wright structures, this was an opportunity to see one in raw shape, as money from a Save America’s Treasures grants is used to bring it to house museum status like the Model B-1 down the block at 2714 W. Burnham St.

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LR Burnham 2022 066.jpgThis period stove is in a closet until the restoration is done.

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We then toured the Model B-1, one of the two single-family homes on the block. It was the first Burnham property acquired by what became the Burnham Block organization, in 2004. It has been fully restored with a Save America’s Treasures grant. It is a tribute to Mike Lilek and the organizations that have been the stewards of Burnham received not one, but two SAT grants.

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There are still two duplexes that will need restoration, including the world’s only Frank Lloyd Wright building clad in aluminum siding:

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I close this blog entry with a nod to my friend Cathy Spyres, docent extraordinaire at Wright’s Annunciation Greek Orthodox Church – her church – in Wauwatosa. The church is our second Wright stop on our Milwaukee itinerary:

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Tomorrow’s itinerary is another full day: We are overnighting in Madison tonight, after also seeing the Milwaukee Art Museum (Saarinen / Calatrava) and Monona Terrace. Tomorrow we start at Jacobs 1 and then go to the Unitarian Meeting House, Wyoming Valley School and have lunch at Riverview Terrace before our in-depth tours of Taliesin and Hillside. I can attest from our own trips with Road Scholar that you see so much and learn so much (education is a major component of their programming) that you need a vacation after your RS vacation! Wright tourism is, indeed back in full swing!

Links:

Frank Lloyd Wright’s Burnham Block:

http://wrightinmilwaukee.com

This Road Scholar Trip Itinerary (we also have a full tour of the Hardy House in Racine and an exterior guided tour of Jacobs 1, although they are not listed in the advance itinerary):

https://www.roadscholar.org/find-an-adventure/22976/architectural-masterworks-of-frank-lloyd-wright

 

 

 

 

 

 

 

 

 

 

 

 

 

Why the Flag Becomes Where’s the Flag?

© Mark Hertzberg

This is a story that has a different ending than I anticipated when I started writing about the flag on the Hardy House.

Tom Szymczak, one of the stewards of Frank Lloyd Wright’s Thomas P. Hardy House in Racine, Wisconsin, was moved by the 1908 photograph we have courtesy of the Organic Architecture and Design Archives (OA+D) to hang a 6′ x 10′ flag on the front of the house a few weeks ago. He intended to leave it up through the Fourth of July festivities which are a big event in Racine. The new flag was not a political statement. Quite simply, he wrote me, “The 1908 photo was the inspiration.”

OAD_Racine Homes c1908 photos_01.jpg© OA+D Archives, and used with permission.

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I took this picture after he hung the flag. It was to be a place holder in my files of photos of the house because I greatly looked forward to photographing Racine’s Fourth Fest parade passing by the house this morning with the flag as the background. Racine’s parade is legendary…it normally has 120 units and takes more than two hours to pass a given spot (this year’s parade was significantly smaller because of the pandemic). Below are photos which Dave Archer took when his family lived in the  house from 1947 – 1957, and one which I took in 2004:

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So where is my photo of today’s parade? I didn’t see a flag when I went to the house. I emailed a “where is the flag” query to the Szymczaks and got a surprising and disappointing call back.

Their neighbor caught someone stealing the flag late Sunday night. How did the thief get the flag? She climbed onto the outside extension of the front hall cabinets in front of the house to pull it down. The neighbor got in a tussle with the thief. She lost the fight for the flag, but she got the thief’s license plate number and police are on the case. I used a common, but loathsome, expression when the Szymczaks told me what happened: “That really sucks.”

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The thief did one positive thing, though. She left a nice palm print for the police.

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Hardy Homecomings

Two people who grew up in Frank Lloyd Wright’s Thomas P. Hardy House in Racine, and a man who had the house on his paper route in the 1970s visited the house in May 2021. These are their stories.

© Mark Hertzberg (2021) with black and white photographs by Dave Archer and Anne Sporer Ruetz, used with their permission. Most of the photos in this article are Archer’s. A wide selection of Ruetz’s photographs are in the preceding article, below this one, or at:

https://wrightinracine.wordpress.com/2021/05/22/hardy-house-photo-proof-positive/

IMG_7194.jpegDave Archer greets Anne Sporer Ruetz who last saw Archer was he was 8.

Many people remember getting their first bicycle for Christmas. But unlike Dave Archer, few can say that momentous event happened in a Frank Lloyd Wright house. Archer was six years old when his parents became the third stewards of Wright’s Thomas P. Hardy House in Racine, Wisconsin in 1947. Two years later the young boy became the proud owner of a blue Huffy bicycle in the Prairie-style house built into a bluff overlooking Lake Michigan.

And, not many people can say that their future career – as a builder and developer in Florida – was inspired by listening as a youngster to Wright at the family dinner table as he told the story of his dendriform columns at the SC Johnson Administration Building. Wright was dining with the Archer family at the Hardy House, just blocks away from SC Johnson.

The Archers lived in the house until 1957, when they moved to Florida. Archer was back in Racine and visited the house May 28 for the first time in more than 40 years. He last saw the house, from outside, around 1980, on his way to Bozeman, Montana to go fishing. Archer was joined on his recent visit by Anne Sporer Ruetz, who grew up in the house from 1938-1947. Her parents had bought the house from the bank after Hardy lost the house in a court fight following its sale at sheriff’s auction in 1937. The last time she saw Dave, she said, he was just 8 years old. Our hosts were Curt and Mallory Szymczak who live there now. They were married in the house two years ago. Curt’s late uncle, Gene Szymczak, rehabilitated the house after buying it in 2012. 

Ruetz has visited the house more recently, so the morning was mostly Archer’s as they reminisced for three spell-binding hours. Before entering the house, Archer commented that there is no longer any evidence of window wells between the two entrances to the house. The window wells  are visible, along with what was likely a coal chute, in some of the photos young Anne took. Archer said the windows were in the sub-basement, or pantry level, below the kitchen level. There is no longer any evidence of the windows inside the house.

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Once inside, looking around the two-story living room, Archer first talked about bringing the family Christmas tree – the one the blue bicycle was under – in through the two story living room casement windows. He and Ruetz remembered decorating their family’s trees from the balcony above. Archer then talked about the two-story windows that look out on the lake. “These windows leaked when we had bad snowstorms. The windows bowed and we had snow on the seats. We had to get storm shutters.”

Archer tree.jpgArcher and Star, his beloved collie, by the family Christmas tree in the living room.

The pear trees that were in the north and south courtyards were so well known in the neighborhood that the Pfisterers, stewards from 1963-1968, once told me neighbors held a wake for one of the trees when it blew down in a storm. The trees were even with the upper level bedrooms. “I used to climb out the windows to get the pears,” remembered Archer. He also shimmied up one of them to get on the roof of the house to do mischief, mischief for which the statute of limitations has expired. Unlike Archer, Ruetz did not confess to any mischief on her watch.

Archer continued, “I crawled up (the pear tree) to the Shovers’ house next door. They had two windows there.” His friend Jimmy Shovers (and Anne’s friend, Suzy Shovers) lived there. I promised him I would not write about the mischief that ensued.

Pear Trees.jpgThe pear trees in the north courtyard are visible outside the upper bedroom windows in this photo that Dave Archer took of people watching the 4th of July parade passing the house, above, and in his photo of the south courtyard, below.

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Then Archer said, still in wonderment at being back in his childhood home, “There are so many good memories of this house.” Ruetz agreed, “Me, too. I cried when we had to move.” Archer, replied, “I was too young to cry. The first time I cried, I saw Bambi.”

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He remembered a big oil tank in the lower basement. “In heavy rains, water would raise up from the drain. My job was to clean the floor up.” He talked about an old gun he found in the basement and Ruetz mentioned that her father was a hunter. Said Archer, You didn’t have to go far to hunt. We had pheasants, rabbits, squirrels, raccoons (below the house)…What I loved was the kitchen. The kitchen windows opened up so they were pretty big. And I went down to make breakfast one morning and there was a rabbit that was trapped in the cul de sac (window well) and I fed him through the window. My mom came out and saved him and put him back in the wilderness behind us. I wanted to keep him.” 

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Then he turned his attention to the living room balcony. “My dad and mom were entertainers. I would sneak up and lie above this closet and I would watch (the parties below).” Ruetz has also confessed to spying on her parents’ parties.

Archer Balcony.jpgArcher shows his hiding spot for spying on his parents’ parties…a crawl space above the bedroom closets whose backs form the side living room walls.

Archer admired Gene Szymczak’s rehabilitation of the house. “This is such a beautiful job. When I lived here it was getting a bit old at the edges. But Frank Lloyd Wright slept here one or two nights. He had dinner with us once.” Wright remembered having designed a dining room table for the house (the table was no longer in the house when Wright visited). Ruetz chimed in, “We used to put a ping pong net across the middle and play ping pong on it.” A photographer for the Racine newspaper took a picture of she and her friends at the table during her 14th birthday party.

Birthday party.jpgThis is the only known photo of the Wright-designed dining room table. It was taken at Anne’s golden birthday party in 1946.

The house was designed in 1904/05 before automobiles were part of everyday life, so there is no garage (Wright did not design carports until the mid-1930s). Archer said his father “thought about opening up the courtyard on this side (the north side) so he could pull his car in there, make it an open kind of spot.”

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Garage Title.jpgThe Sporers also thought about having a garage in the north courtyard. Plans were drawn by Edgar Tafel August 1, 1941, before he left the Frank Lloyd Wright Fellowship after nine years. © 2021 Frank Lloyd Wright Foundation, Scottsdale, AZ. The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art / Avery Architectural & Fine Arts Library, Columbia University, New York)

There used to be a public beach just south of the house. Both Archer and Ruetz remember people thinking the stucco Hardy House might be a bathhouse for the beach. Archer also remembers tour buses with Wright aficionados. “In summer sometimes buses would come.. People were get out and take pictures of the house. I came home one day and said, ‘Mom, I need some paper.’ She asked why. ‘I’m going to make some tickets.’ She turned him down. I said, ‘Damn! I could have made some good money!”

Terrace.jpgRobert Archer, Dave’s father, built wooden slats to go over the surface of the dining room terrace which was often too hot to walk on.

Dave, Mary, Star, terrace.jpgDave and Star with Mary Archer, Dave’s mother, on the dining room terrace.

Archer Mary Painting.jpgDave sits in the living room under a portrait by his mother. She was a well-known portrait painter in Racine.

St. Luke’s Hospital, a block from the Hardy House, was building an addition when Archer was young. “They had a workman’s shack they stored stuff in. They had a Coke machine, the kind you had put quarters in [Coca Cola was packaged only in bottles then]. One Sunday we went over there and decided we were going to get some Cokes. We got two pea shooters and a can opener.” He and his friends popped off the bottle caps and used the pea shooters at straws while the bottles were in the machine which had an open top.”  “They also had a big thing with wheels for carrying equipment on it. We took it and built a tank out of it. We used a baseball bat as a gun. We used it in the 4th of July parade.”

By 1957, Mrs. Archer had died and Mr. Archer wanted to start an airline and sell real estate in DelRay, Florida. He planned to buy a section of DelRay beach and develop it. He developed the Sherwood Park golf course, among others. Dave followed in his footsteps. “I started out digging ditches in construction. I got a carpenter’s license then foreman’s, then I took the Realtor’s and broker’s exams. My father built Lanikai (a housing development), with the first underground parking in DelRay Beach, Sherwood Park, Sherwood Forest, then he bought Sea Horse Bath and Tennis Club, then East Wind Beach Club. By then I had a broker’s license and designed and built Ocean Reach and two others. He helped build golf course at Quail Ridge and DelRay Dunes. He was pretty influential in a lot of places in DelRay.” Mr. Archer died in 2002 in North Carolina. 

“I got into designing and building because of Frank Lloyd Wright. I was so influenced by this house. He also fascinated me because when he was here (he talked about) how he designed the pillars at the Johnson Wax building and how he had to fight the city (for permission to use the dendriform columns). It got me interested in construction. I was probably 12 or 13.”

Archer added to the Hardy House lore with a new name for his upper level bedroom. Among all his designs, Wright unknowingly designed a penal institution at 1319 Main Street. As Archer related stories of his mischief and told about often being banished to his room, “I was up in jail again.”

He had one birthday story to relate. “My grandfather was in advertising and hired Buck Rogers and his cohort girl to come down for my 10th birthday party here. Boy, was I famous for awhile! I was looking so forward to my 10th because I would be a teenager. ‘No, son,’ my father said, ‘You aren’t a teenager yet.’  I was so peeved. What made up for it was when Buck Rogers came for my birthday!”

After listening to Archer and Ruetz, Curt chimed in about what the house means to him and Mallory. “It’s a whole other world being in here. The moment you are in here or out on the deck you are transported into a whole different world. It’s magic. You forget you are in Racine, in the Midwest, you are in a whole different world.”

Curt Archer Ruetz.jpgCurt Szymczak bids adieu to Archer and Ruetz in the front hallway.

I had stopped at the house one morning in early May when I saw Joan and Tom Szymczak, Curt’s parents, in front, doing yard work, when a man walked up and asked if we had any connection to the house. He explained that he is a Residential Designer/CAD Drafter/Estimator in Milwaukee, and that he was greatly influenced by the Hardy House when it was on his paper route when he was 12 – 16 years old. I asked him to email me his recollections of the house and how it influenced him. I have edited them for brevity. Paul Alan Perez’s story continues the tale that Dave Archer tells about Wright influencing his future career.

Perez Hardy.jpg

I had several paper routes (including the Racine and Milwaukee newspapers and the Chicago Tribune) from 1975 to 1979. One of my customers was the Hardy Residence on Main Street. I did not know much about the owners except that he was a nice middle aged man, (Jim Yoghourtjian), although I think he had black hair and glasses looked like a professor or an attorney who had two really big dogs that barked a lot when I came to collect at the residence semi-private front door entrance (Yoghourtjian was a famed classical guitarist). He liked his paper inside the screen door and not folded. He didn’t say much but tipped me well when I gave him the next years calendar at Christmas time. 

I finished delivering my routes everyday near Johnson Wax and back then in the Mid to late 1970s there was no gates surrounding the complex like there is today and I would enjoy riding my skate board thru the smooth pavement and very cool architecture of the Johnson Wax Parking Structure (carport) because it was always open. It was then and there that I feel in love with the wonderful art of architecture. 

Later in life as an adult when I was studying graduate architecture at UWM-SARUP (University of Wisconsin – Milwaukee) I saw the movie documentary about Louis Kahn’s life and career and his son told his father’s story as he roller blades thru all his famous works. I thought that was a very unique and special experience that I once shared as a young boy with Mr. Wright’s famous works in Racine.

So it was really that experience coupled with my 7th grade ‘World of Construction’ class where we saw a documentary of Eero Saarinen’s ‘Gateway Arch to the West’, the building of the St. Louis Arch, and me and my school buddy got to design and build our own house in class. I was hooked and madly in love with the architecture and building things like tree forts to hide out and play cowboys & Indians. We built one that was really big with 3 levels the city eventually came and demolished it. 

Once in high school I began taking more courses related to architecture and construction and excelling in architecture and mechanical drafting classes which gave me confidence and the curiosity to learn more and found a wealth of information on FLW at the Racine Public Library and then I remember my last paper route customer was Cong. Les Aspin whose office was at the Post Office. After him I usually went straight to the library to read FLW books cause they had lots on him and that is really what fascinated me so much about FLW was his art of architecture in all those books.

(Perez describes the intricacies of a private millwork commission which I have chosen not to identify) It is a typical example of architects designing things that physically can’t be done yet. FLW was the best at doing that and that’s why we LOVE him so much!

Over the course of my professional career in the construction industry I have become a highly conscientious, detailed minded architectural professional who has built an excellent reputation for quality and in-depth knowledge of all facets within the architectural and woodworking fields owing it all to the wonderful experiences I have been blessed with growing up in Racine on Park Avenue near all of Frank Lloyd Wright’s masterpieces.

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