New Wright exhibition coming to SCJ

(c) Mark Hertzberg

The Frank Lloyd Wright At Home exhibition in Fortaleza Hall on the SC Johnson campus in Racine is expected to reopen the first weekend in May. The first year’s exhibit, about his Prairie-style work, was dismantled a few weeks ago. It had opened last June. The second phase of the exhibition is about his Usonian homes. It will be up for about 10 months until the changeover for a still-to-be determined third  phase of the exhibition.

The photos below are of workers from the joint curators, SC Johnson and the Milwaukee Art Museum, and from Merchants Moving and Storage in Racine, taking down the Prairie-style artifacts. Many of the artifacts are on loan to SCJ under a unique 99-year loan from the Frank Lloyd Wright Foundation. I expect to preview the Usonian exhibition for you in a few weeks.

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Hardy Tour: Two additional notes

Reservations are limited to 90 people.

The photo credit for the historic photo was lopped off due to an electronic glitch. The photo was taken by Anne Sporer Ruetz, whose parents were the second owners of the house. She was five when they moved there in 1938, and photographed the house until they sold it in 1947.

Open House at the Hardy House on April 27!!!

The first tours of Frank Lloyd Wright’s Thomas P. Hardy House in decades will be held Saturday April 27. The house, which is perched on a bluff above Lake Michigan in Racine, Wisconsin, has been undergoing significant restoration since Eugene Szymczak bought it in September (photos of the restoration are in two previous posts, below).

The tours benefit Frank Lloyd Wright Wisconsin (www.wrightinwisconsin.org), thanks to Szymczak’s generous offer to open his house to the organization for this fund-raiser (Note: I am a board member of the group). The cost is $100 for members, $140 for non-member guests. I will lead the tours, which last a half hour. I am the author and photographer of Frank Lloyd Wright’s Hardy House (Pomegranate, 2006). The Racine Art Museum will be selling copies of the book and my Wright in Racine at the event.

Tours are for specific time slots between 9:30 and 2:30 p.m. Reservations are accepted by telephone only, at 608-287-0339. If you want to add to your Frank Lloyd Wright Racine experience, consider also making a reservation to see Wright’s SC Johnson Administration Building five blocks away, and visit the permanent Wright exhibition in Fortaleza Hall on the SC Johnson campus: http://www.scjohnson.com/en/company/visiting.aspx

Ruetz Hardy photos

Sub basement</p>
<p>10/19/2012</p>
<p>Contact:  Erin Mirabella

(c) Mark Hertzberg with photo above by Anne Sporer Ruetz (1940s)

Hardy House update

Photos and text (c) Mark Hertzberg

Step inside Frank Lloyd Wright’s Thomas P. Hardy House in Racine with me to get an overview of the restoration project, since our last visit to the house in November…

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Gene Szymczak become the seventh steward of the house in September. He is tackling the restoration from the inside first. Some work is the fun arguably cosmetic stuff, other work is the serious task of addressing some structural issues. Let’s look at the fun stuff first.

The house originally had two pocket (sliding doors), on either side of the entry hall. The entry ways to the doors had wood gates across them. The third owners of the house (1947-1957) took out the pocket doors because they would ice up. We do not know who removed the gates. Anne Sporer Ruetz, whose parents bought the house in 1938, took this picture of her friend Mary Hill putting on her roller skates in front of one of the gates:

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Chad Nichols, a local master carpenter, has measured the entry ways and will use Anne’s photos to help him recreate the gates for Gene.

ImageThe pocket doors will be trickier, but the original mechanisms were found two weeks ago. The hardware for the north door is now on the living room floor, the hardware for the south door is still mostly in concrete in the doorway (although it is hanging down):

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The living room balcony was deflected. The plaster face was removed so the balcony could be leveled. Electric wiring found on the face of the balcony tells us that there may once have been two light fixtures on it. Anne Sporer Ruetz and Mary Hill, who often played in the house, have good memories for details, but they do not recall the lights. We surmise that Mr. Hardy removed them at some point, or else while they were wired, they were never installed.

Wil and Eddie Sunderland remove trim from the balcony:

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Paul Lemke does magnificent plaster work. He has been working in the bedrooms. He will replaster the balcony, front hallway, and the two-story living room.

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The bathroom originally had doors at both the south and north ends. The south door was walled over when the bathroom was remodeled in the late 1940s (the tub had 1949 stamped in the bottom). Gene wants that door replaced so that people can look out Mr. Wright’s leaded glass windows as they exit the bathroom from either end. The bathroom is getting a complete makeover. First we see Ed Sunderland taking it down to brick, then we see plumber Mark Derouin working in the space to remove cast iron pipes as workers Kevin Grant and Gordon Hudson work below him framing for a new bathroom floor, above the entry hallway:

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The house has some structural challenges. They are not where they might be expected, on the lake side of the house. There is no evidence of the house being unstable as it sits on the bluff above the lake. Rather, there are problems on the west or Main Street side of the house. Some of the concrete by the entry ways is cantilevered and has no support in the basement. Daylight is visible from the basement as one looks up at the concrete pad by the south door. Some wood in the basement has rotted, further eroding support for other concrete. Four permanent metal posts are being put in the hallway below the kitchen, a space which Mr. Wright called the Heater Room, to help stabilize the west side of the house. The post shown is a temporary one, but this photo illustrates the problem.

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The leaded glass windows on the Main Street elevation of the house were removed by Grant and Paul Harvey to ensure that they did not crack when the jacks in the Heater Room were tightened during the stabilization of the Main Street elevation:

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Grant marked pieces of trim as he removed them from the upstairs hallway so they can be replaced properly:

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Sometimes there seem to be some steps back that offset the steps forward, other times there is a burst of steps forward. Gene has undertaken a project that is not easy, but the house is in good hands, both in terms of him and the people restoring it. There is no timetable for completion of the work, because that would be realistic. Substantial exterior work, like the stucco and replacing wood trim will wait until after the interior work is finished.

This will be Gene’s home. It is not a public building that must be completed by a certain deadline. Most of the house will be put back together they way Gene bought it, once repairs are completed. The kitchen and bathroom will be more contemporary, to reflect that 1319 Main Street will be his home, not a house museum.

What's Next? Meeting<br /><br /><br /><br />
FOR IMMEDIATE RELEASE</p><br /><br /><br />
<p>10/19/2012</p><br /><br /><br />
<p>Contact:

I leave you with this picture of Gene smiling as he gets his first look at Paul Lemke’s plaster work in the south upstairs bedroom in January, before a work meeting to plan the next stages of the restoration.

 

Tafel home faces demolition

Photos and text (c) Mark Hertzberg
(Portions of this article are reprised from an article posted last summer, but no longer on-line.)

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This is one of Edgar Tafel’s drawings of the Carl Albert House

An architectural “Catch-22” sits at 4945 N. Main Street, awaiting a demolition order for February 28.

The Carl and Marie Albert House at 4945 N. Main Street, a piece of Racine’s rich architectural history, sits forgotten, in disrepair, and possibly soon to be demolished by the Village of Wind Point. The cypress and limestone house was built by Robert Albert and Edgar Tafel between 1948-1950. Tafel signed most of the architectural drawings. The house is unknown as a Tafel work, overlooked in published inventories of Tafel’s work in Racine.

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These photos were taken of the front of the house in July.

Tafel was one of Frank Lloyd Wright’s first Taliesin Fellowship apprentices (1932-1941). He designed a half dozen homes in Racine in the late 1940s and early 1950s. He had previously supervised construction of the SC Johnson Administration Building, Wingspread, the Bernard Schwartz House (in Two Rivers) and part of Fallingwater for Wright. He then had a distinguished career as an architect after World War II in his native New York City. He was almost 99 when he died January 18, 2011.

While the house is significant in terms of its architectural heritage, the village regards it as “an eyesore,” according to attorney Todd Terry, who represented Joan Schulz, the homeowner last summer. She dates the home’s problems to about five years ago, when she moved in with her daughter to care for her grandchildren, because her daughter worked a night shift. The house has been vacant since then. Terry said the Schulz family’s aim is simple, “We would like to get it (the house) back where it was.”

Schulz bought the house in 1972 with her late husband, Dr. Gilbert Schulz. He died just six months later. She hopes to stave off demolition, “First of all I hate to see it destroyed or razed, because of the design of the home, and the home itself.” Problems stemming from the damaged roof include widespread mold on the burlap which originally covered the dry wall, disintegrating dry wall, holes in some walls, and a rotted header. Much of the roof is covered by a black tarpaulin.

In July Terry said, “We are in municipal court on a nuisance matter, ordinance type of things, on habitability. My speculation is that in the very near future they probably will file with a circuit court judge asking them to allow them to tear it down or raze the property.” Until then, Schulz would be assessed a $50-a-day penalty, dating back to January, 2012.

Schulz paid the $11,200 ordinance fines in November, rather than demolish the house. She disputes the village’s contention that she had agreed to raze the home in November.

While she still hopes to save the house, the village has run out of patience according to its attorney, Ed Bruner. “There’s been a determination made by the building inspector that the cost to repair the house far exceeds 50% of its value, so that’s the problem.” He could not answer why that should matter if the homeowner was willing to spend the money for repairs.

Nor did he have an answer about Schulz’ “Catch-22”conundrum, that she was told that even though the house needs repairs, no building permits would be issued for those repairs. The village’s appraiser values the house at $25,000. An appraiser hired by Schulz valued the land and house at $115,000. The village would not let her sell the house to an immediate family member, which negated a possible sale to one of her sons, she says. She says she also had an offer to purchase for $61,000, contingent on the buyer getting the building permits that the village will not issue.

“That may have been the case (that the village would not issue the needed building permits)” says Bruner. “Now they (the village board) have made the determination that will not be an option anymore. They want it down. My guess is that it has lasted long enough. I know that there were neighbors complaining and that is what initiated the contact with her. Now they are to the point where it needs to come down.”

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Though in disrepair, the home has notable architectural features, says Joshua Drew who lives in a Tafel-designed home at 4001 Haven Ave., “You can see how Edgar merged many of the Usonian details (indirect lighting, built in cabinets, plywood materials, and several of the rooms have shelving identical to my house) with some Prairie-Style details in the ceilings of the main living space.  The kitchen…still has the original appliances, metal cabinets, and layout.”

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Drew looks at the plans for the Albert House in his own Tafel-designed home.

There is yet another twist to the pedigree of the house, says Drew. “If someone took me into the Carl Albert house and asked me to guess the architect I would have initially have said John Randal McDonald. Some of the stone work details, stone shelves, and the art glass inserts in the stone work are almost identical to the JRMcD-2 house at 1001 Russet St.  However, the den has shelving EXACTLY like the ones in my [Tafel] house.”

McDonald, who was sometimes referred to as “the poor man’s Frank Lloyd Wright, designed 20 homes in Racine. He died in 2003. There is no documented record of collaboration between McDonald and Tafel, and Tafel expressed disdain for McDonald to me during a visit to Racine 10 years ago.

Bruner is clear about the village’s options, “If she does not comply with the raze order then the statute gives me two options: take the house down and put the cost on the tax roll, or take it to circuit court and get a court order which orders her to do that.”

Schulz acknowledges that the house is in disrepair, “I know we haven’t really done any work on it other than originally cleaning up the yard but we haven’t done anything to the building, because right from the beginning, village attorney Ed Bruner stated that no permits would be issued.” She quietly and sadly says she has one more hope, “I was thinking or hoping to take it into court to get a stay of that raze order.”

It seems that even if she gets a stay, the stand-off between Schulz and the village will continue: the house needs repairs, but no building permits will be issued. Demolition of the house seems inevitable.

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Edgar Tafel

New Dahlin “Wingspread inspired” home built

A new home by Ken Dahlin of Genesis Architecture has been built near Racine. Dahlin was born in the (then) St. Mary’s Hospital overlooking the SC Johnson campus and its Frank Lloyd Wright buildings, so we have joked that he was destined to be an architect in the Prairie-style.

http://www.journaltimes.com/news/local/homemade-masterpiece-wingspread-inspired-home-supplied-work-challenges-for-local/article_9661bfb0-47cb-11e2-8711-0019bb2963f4.ht

Ron McCrea at SCJohnson

Photos and text (c) Mark Hertzberg. Photos used with permission of SC Johnson

Ron McCrea had a full house at SC Johnson Saturday for his presentation about his book “Building Taliesin.” His scholarship is first-rate, and he is an engaging speaker. The event was co-sponsored by SCJ and Frank Lloyd Wright in Wisconsin (www.wrightinwisconsin.org).

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Frank Lloyd Wright and the Hardy House: A dance of light and shadows

(c) Mark Hertzberg

“Photography” means “writing with light.” That is what I saw Frank Lloyd Wright do with the design of the front hall windows at the Thomas P. Hardy House in Racine as the sun came across the Main Street side of the house this afternoon.

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There are seven of these windows between the two doors of the house. As Robert McCarter points out in his book Frank Lloyd Wright (Phaidon Press, 1997), the floor plan of the house is articulated in these windows.

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ImageThank you to Donna Newgord, who used to work at Wingspread, for the phrase “A (constant) dance of light and shadows,” a phrase she once used to describe Wingspread to me.

 

Ron McCrea to speak in Racine

Wright in Wisconsin in partnership with SC Johnson invite you to hear Ron McCrea talk about his new book, “Building Taliesin: Frank Lloyd Wright’s Home of Love and Loss” on Saturday, December 15, 2012 from 11:00 a.m. until noon. A book signing will follow. In addition, pre and post talk tours of the SC Johnson Administration building, Fortaleza Hall and the SC Johnson Gallery are available. This is a free event but pre-registration is appreciated. Visit the SCJ website:http://www.scjohnson.com/en/company/visiting.aspx and schedule your free tour.

ImageBelow, Elane Demidt and Ron McCrea at Taliesin garden, 2011:

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Photo (c) Mark Hertzberg

 

Hardy House progress report

Photos and text (c) Mark Hertzberg

        The Hardy House is reflected in a mirror left curbside with other items being thrown away during restoration of the house:

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Gene Szymczak, below, center, became the new steward of Frank Lloyd Wright’s Thomas P. Hardy House in Racine in September. The responsibility of owning the house, and enjoying the restoration process, sometimes includes discovery of unexpected repair challenges.

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     Szymczak inspected the house a few days after the purchase with Chris Sunderland, who would do much of the repair and restoration work.

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      Restoration began almost immediately when the chimney flashing was replaced

to stem leaking from the roof.

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     The roofers found charred beams, which were evidence of a previously undocumented fire.

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     A search of old records by the fire department produced a report of a chimney fire in May, 1932. It had been put out with one three-gallon fire extinguisher.

     Hardwood floors were revealed for the first time in many years when carpeting was removed that first week, as well.

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      The previous owners of the house let the trees and bushes on the hill between the house and Lake Michigan grow wild to protect their privacy. Chain saws cleared the hill a month after Szymczak became the home’s steward.

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       The view from the living room balcony is now likely similar to what Hardy saw a century ago.

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      Below, Sunderland works in a basement crawl space to shore up the sagging floor of the servant’s bedroom above him. That room is on the south side of the dining room, opposite from the kitchen.

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       It had been suggested that the door from the kitchen leading to the basement be replaced because it seemed to be a newer laminated door…but the laminate came off, revealing what is evidently one of the original doors of the house.

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       The most visible exterior change, for people passing by on Main Street, is the removal of the bushes in front of the house. Work will continue through the winter, inside the house, out of sight of passers-by. 

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