A.D. German Warehouse has a new steward!

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From the Frank Lloyd Wright Building Conservancy’s release:

“The Frank Lloyd Wright Building Conservancy learned recently that a new buyer for the A. D. German Warehouse (1916-1921) had stepped forward from among the residents of Richland Center, Wisconsin. The property was purchased from the estate of Harvey Glanzer and closed on August 15. The new owner will be working with a group of Richland Center citizens and institutions who are organizing to develop plans for strategic and financial planning, fundraising, restoration, partnering on adaptive use and future operations. The Conservancy began an initiative in May 2012 to chart a path for a new owner and a new future for the Warehouse, bringing together a group of interested parties and local citizens. The current steering committee includes several individuals from this group.”

Congratulations, and thanks, to all those from the BC who made this happen!

Photo (c) Mark Hertzberg

Restoring the SC Johnson Research Tower

Text and photos by Mark Hertzberg / Photos used with permission of SC Johnson

     The SC Johnson Research Tower is still enveloped in scaffolding, from top to bottom, as workers carefully clean and, in many cases replace, the 17.5 miles of glass tube windows that Frank Lloyd Wright designed for the building. The Tower opened in November, 1950, and closed in 1981 when research and development was consolidated in the nearby former St. Mary’s Hospital building. The work is in preparation for next year’s reopening of two floors (3 Main and 3 Mezz or Mezzanine) for tours.

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     Countless publicly-traded companies might have demolished a building like the Research Tower rather than let it stand vacant for more years than it was open. But not SC Johnson. The Johnson family and the company recognize that the Tower stands as a symbol of SC Johnson’s commitment to creative thinking. Indeed, the Tower is still lit at night. 

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Each section of glass is fitted back into the original hardware, and fastened as Wright instructed. It is carefully caulked and cleaned, as well.

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Hardy House update

Text and photos (c) Mark Hertzberg

       Work continues on the rehabilitation and restoration of Frank Lloyd Wright’s Thomas P. Hardy House in Racine (1904/05) at a less frenetic pace than several months ago. The house was sold in September to Eugene Szymczak. Work through the fall, winter, and early spring ensured the stability of the house and saw the repair of most of the interior.

        Painters Dennis and Daniel Bishop used the bottom layer of paint chips uncovered throughout the house to paint the interior in what are thought to be the original colors. The exterior will likely be similar to Graycliff’s color.

       The second owners of the house – The Sporers, 1938-1947 – commissioned a recreation room to be built under the dining room terrace, adjacent to the basement, in 1941. The work was done after World War II. It included replacing the solid east stucco wall under the terrace with five full-length windows, one of which was a door opening to the hill above Lake Michigan. David Sinkler installed new energy-efficient windows in May.

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The bathroom has both been restored and updated. It was restored in that Szymczak opened up the south wall so that there are once again doors on the north and south ends, giving a view of the leaded glass windows at either end of the house. The third owner of the house (1947-1957) had walled in the south end of the bathroom. A portion of the ceiling has been raised, enabling the installation of a shower stall in place of the former 1949 bathtub. Chad Nichols has meticulously tiled the bathroom:

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        The dining room was replastered, as needed, by Paul Lemke and painted by Daniel Bishop:

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        With the interior work almost complete, Lemke will soon turn his skills to fixing the exterior stucco. The courtyards are among the areas that need attention. The original courtyard walls had a pine basket-weave lathe:Image

      Gordie Bishop built a new framework for Lemke’s nephew, Sean Doyle, to cover with board, rather than lathe, before Lemke plasters the courtyard walls:

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         The house originally had pocket, or sliding doors, as the two entry doors. They were removed by the third owner because the doors often stuck during winter. Szymczak commissioned new pocket doors. The new doors slide on a track, like patio doors, rather than being hinged by a cumbersome, out-dated heavy mechanism like the ones found in the entry way walls. The new doors have full length windows, which will enable Szymczak to look into the courtyards from the entry hallway:

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   The wood gates, which hung over the entry ways, were also removed by the third owner. The Sporer’s daughter, Anne Ruetz, took pictures of the gates as a child, and they will be reproduced by Nichols after the stucco work is completed. 

      A wood construction shelter has covered the front of the house since winter because the seven windows in the hallway had to be removed during construction. The original leaded glass windows were deemed too damaged to reinstall by Oakbrook Esser glass studios. They will be preserved, but reproduction windows will be installed in their place. Bishop installed a sample new window in the center position a week ago. Six plate glass windows were installed in the other window frames until the other reproductions are ready. Bishop expects to remove the wood shelter in a week. He says many passersby have asked when the shelter will come down…and he says it will be like unwrapping a Christmas present.

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     The rest of summer and fall will likely see stucco and wood repair work outside and then, finally, a new coat of paint for Wright’s wonderful house on the bluff above Lake Michigan. 

 

 

 

 

Usonia at SCJ

Photos by Mark Hertzberg for SC Johnson, and used with permission. (c) SC Johnson

   “Usonia: Frank Lloyd Wright’s Vision of the American Home,” the second iteration of SC Johnson’s permanent exhibition of At Home with Frank Lloyd Wright has opened in Fortaleza Hall on the company campus in Racine.

   We previewed the exhibition here a few weeks ago (see article below). I shot the finished installation today. It centers around Jacobs 1. A selection of photos are below. For hours and reservations go to:

http://www.scjohnson.com/en/company/visiting.aspx

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    And, don’t forget that the Research Tower opens to tours next year!

 

SCJ Tower to open for tours!

Photos and text by Mark Hertzberg; photos for SC Johnson and used with permission.

            For many years there have been two inaccessible Frank Lloyd Wright buildings in Racine. No longer. The Hardy House (1904/05) was open for its first tours in decades a week ago. Next year, the SC Johnson Research Tower (1943/44) will be partially open for tours.

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            The treat at the Tower, for fans of Wright’s architecture, will be two and three floors up a narrow staircase.The 30-inch stairs wrap around the core of the building, Wright’s companion to his SC Johnson Administration Building (1936).  Two laboratory floors, 3 Main and 3 Mezz (mezzanine) are being restored for visitors. Those two floors were a pilot lab, the intermediate step between the analytical research laboratory and the manufacturing assembly line, when the Tower was open.

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         Wright designed the 15-story tower in pairs of floors above the second floor: there are square floors where one sees brick bands on the tower (termed main floors), alternating with round floors (the mezzanine floors) where one sees the Pyrex-glass tube windows between the bands of Cherokee red bricks.

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     The landmark Tower, which was built after World War II, opened in November, 1950. It closed in 1981, when the bulk of Johnson’s research and development was moved into the nearby Louis Laboratories, the former St. Mary’s Hospital building. The Tower closed for two reasons. It could not be expanded to meet the company’s growing research needs. The “carport labs” opened in the courtyard carport in 1957, the first indication that the Tower space was not adequate.

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     In addition, there had long been concerns about the building’s safety. While Wright had proposed having two staircases and two elevators, he was overruled, and there is just one of each. The stairs were built a foot narrower than code, thanks to a building code variance. The round elevator is only six feet in diameter. Wright scoffed at the suggestion of fire because, he said, the building was constructed of brick, concrete, and glass. However, no combustible experiments were ever conducted in the Tower.

     Firewalls were constructed on each laboratory floor in the early 1970s, after the state expressed concern about the building’s safety. The firewalls marred Wright’s open floor plan, which allowed for uninterrupted circulation or passage around the core on each floor, says Wright scholar Jonathan Lipman, author of Frank Lloyd Wright and the Johnson Wax Buildings. The firewalls on 3 Main and 3 Mezz, left in both photos below, are being removed during the restoration. The dumbwaiters (second photo) will also be restored.

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     Chemists complained that it could be very warm or very cold in the Tower. Heating and air conditioning systems are being installed on the two restored floors for the comfort of visitors They are being hidden under the soapstone laboratory counters.

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       The face of the cabinets were originally Wright’s favorite color, Cherokee red, but were painted mint green at some point. They will be painted red again.

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            Although the Tower has been closed for longer than it was open, it has remained lit at night, as a symbol of the company’s commitment to creativity. In recent years the soft lighting has come from a multitude of three-foot fluorescent lights placed on the lab counters, and facing up. Those lights have been removed, and the Tower’s original lighting will be replicated. The new lights will be in the restored ceiling light fixtures:

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     The Tower is enveloped in scaffolding, as workers tuck point the brickwork and clean the 17.5 miles of glass tube windows in preparation for reopening the building. Windows tubes will be replaced, as necessary. 

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     Even the tiny triangular bathrooms on the core on 3 Main and 3 Mezz will be restored, and open to view by visitors. Their design includes sliding Cherokee red doors.

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 The building is Wright’s only executed taproot tower, says Bruce Brooks Pfeiffer. He points out that Price Tower in Bartlesville, Oklahoma, often thought to be a taproot tower, is tied into the foundation of an adjoining building. 

     The late Sam Johnson, chairman emeritus of the company, reflected on its legacy in a conversation we had in 2001. He said that the company’s four most successful products were “hatched up in the Tower.” He continued, “In many ways it was a functioning failure, but it was a spiritual success.”

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          The history of the Tower, including how it was designed, interviews with chemists who worked in it, and historic and contemporary photographs of it, are in my book, Frank Lloyd Wright’s SC Johnson Research Tower (Pomegranate, 2010).

     

Good Friday at Annunciation Greek Orthodox Church

Photos and text (c) Mark Hertzberg

       I had the privilege of being invited by Father Angelo Artemas to photograph vespers and evening services yesterday, Good Friday in the Greek Orthodox Church, at Frank Lloyd Wright’s Annunciation Greek Orthodox Church near Milwaukee.

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        I came there as an architectural photographer, but photographed as a photojournalist, to show how the building works for its intended purpose, as an ecclesiastical building. I was allowed to shoot from wherever I wanted to go during the services, and was warmly welcomed by the congregation. The photos that follow show the service and rich traditions of the church, as well as the building. They are in order: first, the afternoon vespers service, and then the candlelit evening service, which included a procession around the outside of the church.

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Congregants kissed the icon of Jesus Christ before vespers

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Father David Hostetler holds the Gospel aloft during a procession around the sanctuary

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Much of the liturgy is conducted by the priests behind the screen in front of the sanctuary. This is because the priests lead the congregation in prayer, rather than praying to them. As shown in a previous posting of interior photos of the church (https://wrightinracine.wordpress.com/2013/04/12/annunciation-greek-orthodox-church-2/)

Eugene Masselink’s icons were replaced by icons that are said to better reflect church doctrine. That is why there are no plans to put Masselink’s icons back in the sanctuary. Masselink’s icons are shown in the previous article.

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Father Angelo Artemas takes the icon of Christ down from the cross

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The shrouded icon (right) is then carried around the church

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ImageAt the end of the service congregants, including children, express their reverence as they kiss the Gospel, the cross, and art work of the crucifixion of Christ which are displayed in a flower-decorated symbolic representation of the empty tomb of Christ. The empty tomb is part of the procession outside the church during the evening service, below:

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Father David Hostetler lights congregants’ candles

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The procession forms to go outside

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Father Angelo Artemas gives congregants flowers from the symbolic empty tomb, as they kiss his hand at the end of the evening service.

 

Hardy House: What a difference a week makes!

(c) Mark Hertzberg

      The Hardy House interior looked quite raw and unfinished 10 days ago as final preparations are made for Saturday’s tours of the house – the first in decades. What a difference a week makes! I was astounded when I stopped at the house last Thursday and saw painters Dennis and Daniel Bishop at work. They are bringing the living room back to life, with its original color, and staining the Georgia pine trim. There are less than 20 tickets left for the tours: call Frank Lloyd Wright Wisconsin at 608-287-0339 to make reservations. The interior is not completely finished yet. Exterior work will follow after the interior is finished. This is a wonderful opportunity to see a Wright house rehabilitation in progress.

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I had just come back from looking at the home’s seven hallway windows with Joan Szymczak (owner Eugene Szymczak’s sister-in-law) at Paul Phelps’ Oakbrook Esser glass art studios in Oconomowoc, Wisconsin. Phelps explained that the windows are too badly damaged from previous repair to restore. The original windows will be saved, but he will build replicas (Szymczak and Phelps are framed in one of his reproduction Robie House windows in the first photo).

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ImageImageI couldn’t resist taking Phelps’ picture through one of his Coonley Playhouse windows:

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New SCJ Wright Exhibition: “Usonia”

Photos by Mark Hertzberg for SC Johnson, and used with permission

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     There are two well-known aspects to the SC Johnson company in Racine, Wisconsin: manufacturer of household products and stewards of the company’s Wright-designed Administration Building (1936) and Research Tower (1943/44). The company celebrates Wright’s influence on the American home in “At Home with Frank Lloyd Wright,” the permanent Wright exhibition in Fortaleza Hall (designed by Lord Norman Foster and Partners; opened in 2010) on the company campus.

      The first phase of the exhibition opened in June. It focused on Wright’s Prairie-style homes. The second iteration of the exhibition, “Usonia,” opens to the public May 3. It is being installed this week.

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While many people think that Wright designed homes only for wealthy clients, he was very interested in designing affordable housing. His Usonian homes were designed so that the client could help build them.

      The exhibition includes an “exploded” model of Jacobs 1 (1936), the Madison house widely considered to be Wright’s first Usonian home,  which the home owners helped build. The model, which is on loan from the Milwaukee Art Museum, was assembled Monday by workers who looked as if they were carefully positioning marionettes:

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      The exhibition also includes a masonry wall, in Wright’s signature Cherokee red brick, a board and batten panel built like the outside of Jacobs 1 (and other Usonian homes), and a photo mural that shows the view one might see from the living room of a Usonian home. These photographs were taken Monday. Installation continues until the exhibition opens:

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Annunciation Greek Orthodox Church

Text and Photos (c) Mark Hertzberg

I recently had the privilege of being invited by Father Angelo Artemas to photograph the interior of Frank Lloyd Wright’s Annunciation Greek Orthodox Church in Wauwatosa, Wisconsin, a suburb of Milwaukee.

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Interestingly, with all the thousands of dollars in camera bodies and lenses I carry, the two thin horizontals were shot with my iPhone 4S using the Panorama camera function.

I have many “record shots” of the sanctuary, but the photos I am posting are photos of details in the church. One of the most important design features in the sanctuary are the three light poles in the stairwells. The three light poles represent the Holy Trinity. The white lights represent the stars, the blue lights the Virgin Mary.

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Cindy, my wife and extra set of eyes, noticed a resemblance between the sculptured ends of the pews and the statue of Nakoma at the SC Johnson Research Tower in Racine. Maria Pandazi, a member of the congregation and past president of Frank Lloyd Wright Wisconsin (www.wrightinwisconsin.org) explained to me that, “The sculptured ends of the pews are intended to represent the Christian symbol of the fish pointed downward (the ball being the tail).”

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Natural light is supplemented by light fixtures below the dome:

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Wright’s windows were integral parts of his designs. There are art glass windows on either side of the front door. The first photo shows one of the windows and its reflection on the floor of the entry way.

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The second photo shows one of the windows viewed through the glass wall added at the entrance to the sanctuary after Wright’s death. He did not design those windows.

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Another significant change in the church was the removal of the icons which Eugene Masselink designed for the altar. The original icons are now displayed in the basement of the church:

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The next photos are exterior photos shot last summer…

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April 5 update: Hardy House Restoration

Photos and text (c) Mark Hertzberg

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Restoration of the Thomas P. Hardy House continues at a fast pace with 90 visitors expected to tour the house April 27 (see previous post and http://www.wrightinwisconsin.org – reservations still available). Concrete was poured today at the north and south entry ways. The cantilevered concrete slab at the south door had caved in (photos in previous updates show daylight in the view looking up from the basement) so both the south and north entry slabs were replaced today.

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Construction of cedar gates, replicating the ones Mr. Wright put across the north and south entry ways when the house was built in 1906, is expected to begin soon. The original gates were removed by the third owners of the house (1947-1957). This is a model that Chad and Homer Nichols made of the gates they will build:

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Paul Lemke, the plasterer, had a challenge building the scaffolding to work in the living room. It also took him several days to cover the cedar trim with blue masking tape…after he swept the cobwebs off the ceiling.

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Paul thought he had finished the upstairs bedrooms several months ago…but then the insulation crew arrived a week ago and put holes in the ceilings. Paul will need to redo the ceilings.

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The most dramatic change in the exterior appearance of the house is the plywood shelter built around the entry hallway a few weeks ago. Gordon Hudson and Kevin Grant built the shelter before removing the upper portion of the exterior hallway wall. They will use photos taken of the hallway before restoration began in September to guide them as they rebuild the wall to make sure it will last another 100 years.

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We look forward to seeing many of you at the April 27 tour, which benefits Frank Lloyd Wright Wisconsin. Tours are limited to 90 people, by reservation for specific time slots between 9:30 and 2:30 p.m. Reservations are accepted by telephone only, at 608-287-0339. (I am on the board of the organization, and I will be leading the tours.)