Hardy House: Photo Proof Positive

© Mark Hertzberg (2021)

Several features of Frank Lloyd Wright’s Thomas P. Hardy House in Racine have been the subject of speculation for years because of the dearth of historic photos. Three newly discovered 1908 photos of the house, which was completed in 1906, end the speculation.

The first of the 1908 photos, showing the Main Street side of the house, may have been taken on Flag Day or on Independence Day:

LR 1908 Hardy Main.jpg© 2021 The Organic Architecture + Design Archives, Inc.

 

We can now definitively answer questions about the two front gates to the house, front plantings, the seven front hall windows, the south first floor bedroom windows (on our right in the photo above), the original dining room windows, and the rear gutter and downspouts.

Many people contributed to our getting the new photos and to understanding them. They are credited at the end of this article.

Until we got the new photos, the only clear vintage photograph of the house we had was this one from the Wright archives, evidently taken as the house was nearing completion in 1906:

Terrace 0506.004 raw.jpg© 2021 Frank Lloyd Wright Foundation, Scottsdale, AZ The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

I was sent this 1906 “real photo postcard” below by Patrick Mahoney in 2018:

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The Gates: This 1906 photograph, taken around the time Hardy moved into his new home, is regrettably not clear enough to let us examine the windows, but we can now affirm that the gates were stucco. Until we got the 1908 photos, Mahoney and I thought we were looking at the stucco walls inside the gates rather than the gates themselves.

By the time that Henry-Russell Hitchcock photographed the house in the late 1930s or early 1940s for his book In the Nature of Materials, there were wood panels on the gates:

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The wood panels are also evident in photos that Anne Sporer Ruetz took in the early 1940s when she was growing up in the house (her parents were Hardy’s second stewards, from 1938 – 1947). You will see her photos further down in this article. The gates seem to have insets on which there could have been stucco panels. Did the stucco panels prove to be too heavy?

The gates were removed by the third stewards of the house (the Archer family, 1947 – 1957). The late Gene Szymczak, who became the seventh steward of the house in 2012 extensively rehabilitated the house, which needed major work. He also commissioned new gates for the house. He elected to use Wright’s first design, gates with diamonds atop the gates:

Drawing Main Street.jpg© 2021 Frank Lloyd Wright Foundation, Scottsdale, AZ. The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art / Avery Architectural & Fine Arts Library, Columbia University, New York)

Plantings: Marion Mahony’s elevation drawing of the Main Street side of the house shows plantings below the front hall windows. Original to the house, they are long gone, as are the climbing plants:

LR Crop 1908 Hardy Main.jpg © 2021 The Organic Architecture + Design Archives, Inc.

Front Hall Windows: There has been speculation about the original design of the seven windows between the two front doors. The 1908 photograph and Anne’s affirm that the windows in the house when Szymczak bought 1319 Main Street in 2012 were original, but they did not conform to the only Wright drawing we have of them. The windows were badly deteriorated, below, and were replaced with new ones by Szymczak:

Floor Plan Window.jpg

Wright’s drawing, below, is shown in the correct orientation. The text block was positioned as if the drawing is to be viewed as a horizontal sheet, rather than vertical, says my friend Bob Hartmann. At the upper left we see the front hall window design. The five-panel living room windows are at right. Bottom center are the bedroom windows:

image004.jpg © 2021 Frank Lloyd Wright Foundation, Scottsdale, AZ. The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art / Avery Architectural & Fine Arts Library, Columbia University, New York)

Robert Hartmann, an architectural designer in Racine, has been of invaluable help to me in all my Wright projects, helping me navigate design territory unfamiliar to me. He studied the drawing and photographs closely and observes: “The windows that we see in these photographs appear to be the same windows that were in the house when Gene [Szymczak] bought it. But, they are different than the window design that Wright put on paper. Wright’s design was symmetrical with less elements. His design (on paper) for the hall windows referred to the symmetry and simplicity of the living/dining and upper bedroom windows.

“However, the hall windows that we see in these photos are most likely original to the house. It is not unusual to see a design modification occur during construction.”

Bedroom Windows, Living Room windows: These are the second and third photos from the 1908 collection. You will see the original photos and my enlargements of them. The south bedroom windows are to the left and the two-story living room windows center. Pull down shades are evident on the windows. Anne told me that her parents removed the original living room windows because they leaked badly. They have been clear glass in recent memory. We had a hint of their design from the 1906 construction photo, but now we can clearly see Wright’s original leaded glass living room windows:

LR 1908 Hardy HIll.jpg© 2021 The Organic Architecture + Design Archives, Inc.

LR 1908 Hardy HIll Crop.jpg© 2021 The Organic Architecture + Design Archives, Inc.

Hartmann comments first on the first floor bedroom windows: “It looks like it is just clear glass in the bedroom windows.  If it were art glass we would be able to see some traces of the pattern. The key is in the window on the east side that is visible in the photo. Bright light is coming through the window and yet we do not pick up any representation of the art glass pattern. There is a curtain drawn to south side of the window in the foreground. It is pulled back to the window casing  and of a medium grey value. If the art glass were present it would stand out in contrast against the curtain. But, the photo is not in perfect focus so there is a percentage of doubt.”

LR 1908 Hardy Side.jpg© 2021 The Organic Architecture + Design Archives, Inc.

LR 1908 Hardy Side Crop.jpg© 2021 The Organic Architecture + Design Archives, Inc.

Gutter and downspouts: Many people have questioned me about the gutter and downspout on the rear (lake side) of the house. The historic photos show they are original or hew to the original design.

Anne was given a Brownie box camera, likely for Christmas, when she was around 10 years old (the same age I was when I was given my first Kodak Brownie camera!). “Not too many of my friends had a camera but I just thought it fun to take and get the pictures. It would take about a week to get them developed [at Red Cross Drug, 13th and Villa streets], hard to wait.” Her snapshots of her friends show us the windows, the gates, and what may be a coal chute in front of the house (there is no evidence of it anymore).

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Shovers.jpg

Sporer- Friends.jpg

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Tag 2.jpgAnne is at left in this photo.

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I must credit the people who contributed to our being able to better understand how the house was built:

Mike Lilek, the force behind Frank Lloyd Wright’s Burnham Block in Milwaukee, alerted me April 16 to a 1908 photo album with photos of the Hardy House and one of the Mitchell House for sale on eBay (Mitchell is grist for a later separate article). He pointed to the 45 or 46-star flag (some of the stars are obscured). The former was in use from 1904 – 1908, the latter from 1908 – 1912. The album is dated 1908.

-Lilek’s email was followed by an alert from Racine historian Gerald Karwowski.

– I notified the stewards of the Hardy House as well as Eric O’Malley of the Organic Architecture and Design Archives (OA+D). OA+D entered the bidding to ensure that the photographs had a safe new repository. They successfully acquired the photos and quickly shared high resolution copies with the Hardy House stewards, with Hartmann, and with me.

I urge you to explore OA+D’s website, and to subscribe to their Journal:

https://www.oadarchives.com

I thank Anne Sporer Ruetz for her friendship and eagerness to share her memories of what she has called her “dream house.”

I also thank architect Patrick Mahoney of Buffalo, another friend and well known Wright Scholar, for the July 1906 “real photo postcard” he sent me in 2018.

    – 30 –

 

A New Take on Wright’s Work

© Mark Hertzberg (2021)

Most of the hundreds of thousands of words written about Frank Lloyd Wright’s work are about his design aesthetic, his life, or are histories of the homes and public buildings he designed. A new book by Joseph M. Siry offers a new analysis of his work. Siry puts the mechanical engineering of four of Wright’s landmark buildings – the Larkin Building, the SC Johnson Administration Building and Research Tower, and the Rogers Lacy Hotel – in a broader context of American architecture. 

Siry book cover.jpg

Siry, who teaches art history at Wesleyan University, has just published his fifth book, Air-Conditioning in Modern American Architecture, 1890-1970  (University Park: The Penn State University Press;, 2021). His previous Wright books are Beth Sholom Synagogue: Frank Lloyd Wright and Modern Religious Architecture (Chicago: The University of Chicago Press, 2012) and Unity Temple – Frank Lloyd Wright and Architecture for Liberal Religion (New York: Cambridge University Press, 1996).

BC 2015 WSA Siry 006.jpgSiry, left, accepts a Wright Spirit Award from Scott Perkins and the Frank Lloyd Wright Building Conservancy in 2015.

The Larkin Building in Buffalo (1903) was one of the nation’s first air conditioned buildings. Wright, of course, eschewed traditional design. One of the building’s signature features was its large central atrium work space. Wright put the building’s mechanical systems in the four corner stair towers and in four adjacent towers. Russell Sturgis, a contemporary critic, was flummoxed by the design. He wrote in a 1906 article in the Architectural Record wondering why there were “no chimneys, giving an opportunity for an agreeable breaking of the masonry into the sky and the sky into the masonry?” 

The SC Johnson Administration Building was designed in 1936. Air conditioning had already proven to be economically beneficial in a variety of factories – including at the Ford Motor Company – in improving efficiency not only in terms of workers’ comfort and morale, but also in processes where precise temperature and humidity controls were vital in machining and for ink-drying in printing. A growing number of hotels, offices, retail shops, and movie theaters were incorporating the new technology which was also displayed throughout the 1933 Century of Progress World’s Fair in Chicago. An unanticipated benefit was that hay fever sufferers no longer felt the need to call in sick when working in air conditioning (including Congressmen and U.S. senators when the U.S. Capitol was air conditioned in the late 1930s). Later, the economic growth of the South after World War II was spurred by companies’ abilities to air condition their factories, hotels, and stores.

Wright called the Larkin Building “the male sire of its feminine offspring,” the SC Johnson Administration Building in Racine, designed in 1936. H. F. Johnson Jr. was the company president. He famously gave workers the day off if it were 90 degrees or warmer outside. Johnson charged both J. Mandor Matson, his first architect, and Wright with designing what was then commonly called a “windowless” office building.

LR SCJ Admin. Building 2015 028.jpg

The Administration Building opened in April 1939, concurrent with the opening of the New York’s World’s Fair. An article in LIFE magazine previewing the fair noted that while it was certainly wonderful, people should travel to Racine to see the streamlined new SC Johnson office building if they wanted to glimpse the future. The Research Tower, designed in 1943/1944 and constructed between 1947 and 1950, was the coda to Wright’s office building. The mechanicals in the former are in the “nostril” atop the tap root tower, just as they were in the two “nostrils” (Wright’s term) atop the Administration Building. 

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LR SCJ Admin. Building 2011 002.jpg

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LR Great Workroom 061.jpgVentilation grills are visible on the face of the mezzanine of the Great Workroom.

LR Bud Nelson 014a.jpgThe Tower’s exhaust plenums are the two kidney shapes.

LR Tower 09 Aerials 054a.jpg

LR Tower 5.1.14 020.jpgCeiling ventilation in the Research Tower was built into ceiling light fixtures.

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The Rogers Lacy Hotel in Dallas (1946) was not realized because Lacy died in December 1947. I had little awareness of Wright when I was in high school (1964-1968) but one of my classmates was Lacy’s grandson. My classmate’s father was one of the architects of the Houston Astrodome, the world’s first air conditioned stadium, which opened in 1965.

Siry concludes, “In the Johnson buildings, Wright reinvented the windowless type, creating workspaces that were better illuminated and apparently more open to the outdoors than many windowed buildings. His client, Johnson, had provided the impetus to devise optimal air-conditioned interiors. But Wright reinterpreted that aim to create unprecedentedly inventive architecture, an his integration of mechanical systems into his aesthetic inspired such later modernists as Louis Kahn.”

Siry’s book was an outgrowth of the section of his 2009 course on contemporary world architecture focusing on sustainability and energy conservation. “It gradually was clear that HVAC systems had a vast history in relation to modern architecture that had only been touched on, but those systems had been a huge factor in buildings’ energy demands. So I thought it would be useful to try to lay out the history of air-conditioning from its origins through into the 1970s, before energy consciousness took hold in architecture.” He is now focusing on developments since the early 1970s, “to trace the history of conservation methods and thinking about sustainability.” The new book took nine years of research and writing. There is no timeline for a succeeding volume.

If readers burst out of their Wright bubble, they will find the book as a whole is captivating. I wrote Siry that as a layperson (and someone who did miserably in science classes) I never thought I would be entranced by a book about air conditioning. But I was. The book can be ordered from the publisher or through your favorite local bookshop. I urge people to support local book shops and book publishers, rather then reflexively order from you know where.

https://www.psupress.org/books/titles/978-0-271-08694-1.html

Siry is Professor Art History and the William R. Kenan Jr. Professor of the Humanities at Wesleyan University in Connecticut.  

Addendum on April 29:  Radiant floor heating was used in the Administration Building. Wright also used it in Wingspread, the home he designed for Johnson in 1937. Karen Johnson Boyd, H.F.’s daughter, who grew up in Wingspread, told me that it was unpredictable whether one might freeze or burn their toes on the floor in the morning. When she and her then-husband Willard Keland commissioned Wright to build the Keland House in 1954, one of the conditions was that Wright let a radiant floor heating expert from Indiana handle that aspect of the job, she said. He agreed to do so.

-30-

 

Revisiting Wingspread, Cameras in Hand

Photos © Mark Hertzberg

One of the joys I have in visiting buildings designed by Frank Lloyd Wright, cameras in hand, is noticing new details, no matter how many times I have been at a particular site. Sometimes it is a question of different lighting at a different time of day from my last visit, other times the photo comes from wondering why I had not noticed something before.

LR Wingspread 4.17.21 036.jpg

I had the pleasure of being a presenter at a dinner at Wingspread last Saturday to benefit RAM, the Racine Art Museum. It was the first social event held there since the start of the pandemic. I was there to give my “Wright in Racine” presentation, but I got there early enough to meet Marcus White the new (a year ago) president of The Johnson Foundation, and wander around looking for pictures. We gravitated first to the famous “crow’s nest” with its spiraling metal staircase. It is a feature that delighted H.F. Johnson Jr.’s children Karen and Sam when they moved into the house in the late 1930s.

I have climbed the crow’s nest many times, but tended to take pictures at the top, never looking at the stairs themselves. Last Saturday I was mesmerized by the stairs:

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LR Wingspread 4.17.21 022.jpgMarcus White turned the tables on me and took pictures of me at work.

I found new things to photograph upstairs on, and from the second floor, as well:

LR Wingspread 4.17.21 038.jpgOne of the first floor fireplaces is framed by the wood of the balcony

LR Wingspread 4.17.21 020.jpgLate afternoon sun skims across the floor outside the master bedroom.

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This mother is sitting in a planter off the second floor. Karen Johnson Boyd once saw a photo I had taken of a goose looking into her father’s bedroom, and said H.F. would have liked that sight. Below: the sun highlights an Administration Building desk chair and a desk lamp in Karen’s bedroom:

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When I was writing my “Wright in Racine” book, Karen told me that it was sometimes a challenge sneaking past her father’s bedroom when she wanted to go out at night. One of the guests at the dinner told us that her father dated Karen in high school. One night they wanted to go to a party. He found a ladder in the carport, raised it against the cantilevered balcony outside her bedroom, and off they went to the party. That is the cantilevered balcony Karen had asked Wright for, like the one off Wright’s old office at Taliesin (the better known “birdwalk” balcony dates to the 1950s). Wright had told Karen that one day she would have suitors standing under the balcony, wooing her. Indeed!

LR Wingspread 4.17.21 049.jpgHad I not been directed to a parking area other than the one I thought I should go to, I would not have seen the sun highlight the crow’s nest when I returned to my car. Note to Marcus…this is why that 300mm lens is in my trunk, ready for action.

The other speaker at the dinner was Bruce Pepich, executive director of RAM. He gave an illuminating talk about the work of Frances Myers, a Racine native, who was a distinguished print maker. Karen Johnson Boyd commissioned a series of prints of Wright-designed buildings. You can see them, and read about them, here:

https://racineartmuseumstore.org/products/frances-myers-frank-lloyd-prints

 

 

Rest in Peace, Maggie of the Hardy House

(c) Mark Hertzberg (2020)

IMG_6406.jpegThere are long shadows at the Hardy House this week, or so I thought when I rode my bicycle past the house today and reflected on the deaths of two of its stewards. I took these  photos in their memory with my phone camera. Eugene “Gene” Szymczak, who rehabilitated the house from 2012 until his sudden death, died December 3, 2016, four years ago this Thursday. Margaret Yoghourtjian died yesterday evening.

IMG_6411.jpegThe afternoon sun shines through a window in the second floor north stairwell.

IMG_6408.jpegThe sun casts a shadow of the cantilever that shelters the north entryway to the house.

I lost a friend last night, and Frank Lloyd Wright’s Hardy House in Racine lost another of its stewards, when Margaret Yoghourtjian – Maggie to her family – died Monday November 30. Margaret, 98, and her late husband Jim, were stewards of the house from 1968 – 2012. Jim, a renowned classical guitarist, was 91 when he died in May 2015.

Margaret and Jim 9.1.04006.jpgMargaret and Jim in the Hardy House living room, August 2004. Jim wrote his beloved Maggie a poem every year for her birthday. They married in 1950.

It was initially hard for me to get to know Margaret, much less get close to her. She often referred me to as her “nemesis,” but in truth, we had a wonderful relationship. The Yoghourtjians had shared their house with Wright aficionados for many years. Two unpleasant incidents some years after they bought the house caused them to decide that it was their home, and no longer a semi-public site. I confess that not long after moving to Racine in 1978 I saw Jim in front of the house, pulled to the curb, proclaimed that I was interested in Wright’s work, and asked if I could see the house. He declined my request. I was disappointed, but years later I understood his reaction to my brash request. In later years when he was Wrighted-out, Jim told me that when people asked him about the house if they saw him gardening in front, he would tell them that he was only the caretaker, and knew nothing about it. (But if Jim liked you…well, his apple pie was legendary!)

Margaret Grape Leaves 004.jpgMargaret and Jim were Armenian. Their families suffered through the Armenian genocide. Margaret came to our house in 2014 to make stuffed grape leaves with my wife, Cindy, and with Joan Szymczak, whose brother-in-law Gene had bought the house from the Yoghourtjians in 2012.

I began my serious Wright studies in the early 2000s. I wanted permission to take a picture from the Hardy House living room balcony to show the view of Lake Michigan through the two-story living room windows. I knew that the house was off limits. Period. End of story. Don’t even bother to ask. But I called the house anyway on March 1, 2003. I was astonished when Margaret answered because she preferred to screen calls from the answering machine.

She knew me from my work at the newspaper (she worked there as a proofreader before my tenure there). I promised not to photograph any other part of the house. Margaret said she would consider the request. I was sure that meant “no” and that this was my single chance to talk to her. I stalled, thinking of any possible way to keep her on the phone. I told her that if she called me back during the weekend she would not be able to reach me because I was going home to New York City to help my brother celebrate his birthday, “He will be five-five on 03-03-03.” Her voice brightened. “His birthday is March 3? So is mine!” I sent her flowers. I had an entree into the house.

I learned that Margaret loved chocolate. I asked if she had ever had chocolate-covered marzipan slices from Larsen’s Bakery. She had not. I brought her some. She was smitten by them. I would periodically leave a package of them at the door – which was never answered – and leave a phone message for her to look outside for a special delivery. Would it be wrong of me to say she could sometimes be impish? She called me at work one day and said, “I got the package. I don’t want you doing this anymore. But if you insist, Tuesday is the best day for me!” (She had told me that she would have a bite and freeze the rest for later so the treats would last longer). How can you resist loving someone like that?

I gradually gained Margaret’s trust and got permission to take more photographs on the condition that they not be shown publicly. In June 2003 I gave my “Wright in Racine” presentation at the SC Johnson Golden Rondelle. I invited Margaret but she told me she would not come because she was angry, thinking I had broken my promise about not showing the photos publicly. I scanned the audience, and indeed, she was not there. Then I saw her come in – almost sneak in so I might not see her – and take a seat in the back row seconds before the lights went down. She saw the presentation and saw that I had kept my promise, and I was back in her good graces.

She signed off on the photos of the house that were in the book. Then came the next challenge. Pomegrante Publishing offered me a contract to write and photograph a book about the Hardy House, deadline January 2005. Margaret’s brother, Ardie Kaiserlian had warned her, she said. “If you give him an inch, he’ll try to take a mile.” We laughed about that warning many times, because Ardie was right.

One day Margaret gave me a box and said she had saved every letter written to the house since they bought it in 1968. There were about 180 letters, which I catalogued in a data base. My original concept for my Hardy House book was to write “Dear Frank Lloyd Wright House,” a book about letters to a Wright house. I contacted as many of the correspondents as I could find, to get their permission to use their letters, Most agreed. Pomegrante was less interested in that approach than I was, and so the book took a different turn, but those letters helped me gain context and perspective for the history of the house.

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Margaret zealously guarded her privacy. I made sure that she approved the photos I was submitting to Pomegrante. All was well until Katie Burke, the publisher, emailed me that there had to be at least one photo of one of the four bedrooms. I gulped. The bedrooms had been off-limits to my cameras. Katie was clear, no bedroom photo possibly meant no book. I called Margaret and got another “I’ll think about it.” No amount of marzipan would help me this time. I did what Ardie had warned her about, and pushed to go for that extra mile. She reluctantly agreed to the photo session. When I arrived to take the pictures she proudly told me that the afghan on her bed for the photos was one that her mother had made.

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I took these rather pedestrian photos, and then I took one of my favorite photos, the view from her bedroom:

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I asked all the stewards of the house, or their descendants, to sign my copy of my Hardy House book. While Margaret had been leery about the book, she told me she was happy I had written it. She wrote: “Nemesises can change into angels. Mark has done that. M.”

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Today Margaret’s niece, Pat Yoghourtjian, told me, “Nemesis? To get a nickname like that is special.” (I had also earlier been honored by Margaret with my own key to the house).

Pat also told me that every Christmas a mysterious plastic ornament appeared on their tree after Jim and Margaret’s visit. Inside was a $20 bill. No one ever saw Margaret pull her Santa trick.

Margaret was Ardie’s older sister. Ardie and his wife, Penny, chuckled today when I told them that Margaret – their Maggie – often told me about taking Ardie on the North Shore interurban train from Racine to Chicago to take him to Cubs baseball games at Wrigley Field.

Joan Szymczak, Gene’s sister-in-law, remembered Margaret fondly as a lover of nice clothes. Margaret and Jim went to Siena, Italy in the 1960s, so Jim could study with Segovia. She brought many new clothes home with her. In 2012, Margaret donated many of her clothes to a vintage clothing shop owned by Ginny Hintz, the mother of Joan’s future son-in-law. Ginny and Joan took Margaret out to lunch and they stopped at the shop on their way home. Ginny told her to pick out anything she wanted and take it with her. “She is going through all the lovely items Ginny had redone, from the 50s, and what does she come up with, but her own coat that she had donated! There was consistency, she had impeccable taste that never went away.”

She also had a smile that never went away. Rest in peace, dear Margaret.

I leave you with two photos that Margaret took of the house in 1968:Exterior Main 2.jpg

Below hill main.jpg

***

Gene Szymczak contacted me in 2012 when he gathered that the house was for sale (I was helping the Yoghourtjians sell the house, and we did not want to put a For Sale sign up in front of the house). While the late John G. Thorpe of the Frank Lloyd Wright Building Conservancy sagely advised me to step aside and let professionals take over, I wanted Gene and the Yoghourtjians to meet at Jim and Margaret’s new apartment. I suggested that Gene bring Margaret some marzipan from Larsen’s. He did. He also brought a copy of a Japanese print that was reminiscent of Marion Mahony’s famous view of the lake elevation of the Hardy House from below. We were having lemonade and cashews in the Yoghourtjian’s living room when Gene turned to them and made an offer for the house. There was no need for professionals. The house had passed from one loving steward to another.

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Nature is Not Always Wright

Photos (c) Mark Hertzberg (2020) unless otherwise noted

Frank Lloyd Wright embraced nature. But nature does not always embrace his work. Take for example the Thomas P. Hardy House (1904-05), built into a bluff above Lake Michigan, south of downtown Racine, Wisconsin.

Hardy 1906.jpgThis postcard, from the voluminous Patrick Mahoney Wright archives, shows what the house looked like in July 1906, around the time that Hardy moved in. Regrettably there is no companion photo showing the full expanse of land below the house.

Terrace 0506.004 raw.jpgThis photograph, also ca. 1906, shows the lake side of the house, but does not give us an idea of far away the lake was from the property line. Photo © 2020 Frank Lloyd Wright Foundation. All rights reserved.

The house was above the 14th Street Beach, and many people mistook it for a bathhouse and stopped there to change into their swim suits, recalls Anne Sporer Ruetz, who grew up there between 1938-1947.

Archer Terrace 14.jpgThis photo, courtesy of David Archer, who grew up in the house between 1947 – 1957, shows a fence separating the public land from the private land.

Seward Beach.jpgSchuyler and Peterkin Seward, stewards of the house between 1957 – 1963, took a picture beyond the fenceline, showing how much land there was below the house. That land is now under water. Photo courtesy of Abbi Seward.

Below hill Yog.jpgThe landscape changed dramatically a few years after Jim and Margaret Yoghourtjian bought the house in 1968 and took this photograph.

The City of Racine decided to alter the nearby shoreline northeast of the house, over protests of the residents in the early 1970s. Jim Yoghourtjian told me that they lost an estimated 100 – 125′ of land below the house. And that brings us to today, when Lake Michigan is experiencing near-record high levels and has overtaken much of the land below the house. The fence put in a few years ago by the Szymczaks to give them some privacy from people walking along the shoreline is now largely under water…there is no more walking path. A small dock no longer stops short of the small beach area the owners could launch a kayak from. It was virtually at water’s edge last fall.

Erosion 11.04.19 007.jpgNovember 4, 2019

Fear not, the house is not threatened, but the situation is serious enough that the Szymczak family and neighbors had to hire Ray Hintz, a local contractor, to place 3 – 5 ton boulders at the base of their property this summer. The Szymczaks estimated that they have lost 40 -50 feet of land in the last seven years. Neighbors’ land is more seriously threatened as parts of their bluffs have been eroded.

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Photograph courtesy of Ray Hintz

IMG_5706.jpgAugust 18, 2020

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Local and state government representatives have looked unsuccessfully for possible sources of Federal, state, and local funding to help underwrite or create a loan fund to help shoreline homeowners in Racine and Kenosha counties bear the expense of the revetment. One neighbor emailed me, “We paid full freight (the whole $$), further underscoring neighbors’ commitment to these historic properties.”

The lake, as viewed from the living room balcony and the base of the bluff is, indeed lovely. The sound of the waves lapping at the shore can be soothing. But these days, neither is always welcome.

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Rainy Day Post #2 – Guggenheim Dome Evolution

Photos (c) Mark Hertzberg (2020)

Saturday I wrote that it’s like a rainy day, and I am taking time to clean up my desktop and post some things that have been in limbo. There will be a third Rainy Day Frank Lloyd Wright post – the one with what I referred to as a “smattering” of photos from many Wright sites – possibly tomorrow.

I noted in my 2004 book Wright in Racine that Wright’s initial design for the dome of the Guggenheim Museum in 1943 was identical to the one he later used for the dome built over the advertising department in the SC Johnson Administration Building in Racine. That space was added concurrently with the construction of the SC Johnson Research Tower (designed in 1943/44, constructed 1947-1950). (The space is now home to the company’s Global Affairs and related departments)

The Advertising Department’s dramatic glass dome is now an architectural icon of the company. It embodies the design Wright proposed in 1943 for the Guggenheim Museum.
The dome now has a white cover now to lessen the heat from the sun.

Visitors to the 2017 “Unpacking the Archive” exhibit at the Museum of Modern Art in New York City (MoMA) saw the Johnson version of the dome on the Guggenheim model in the exhibit:

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This exhibit was labled: “Tension ring study model for Johnson Wax Research Tower, Racine, Wisconsin  1943-50  Steel.” There was no mention of its similarity to the Guggenheim proposal.

Wright’s final design for the dome has been photographed many times:

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Rainy Day Post #1: Hardy House Roof

All photos (c) Mark Hertzberg (2020), except as noted

Hardy Tafel photo.jpgEdgar Tafel, photographer, courtesy of John Clouse

It’s 84 degrees and sunny, but let’s pretend it’s raining out because this is a “rainy day projects” catch-up-on-loose-ends kind of day. I had a smattering of Frank Lloyd Wright files that have been sitting on my desktop in a couple of folders for up to two years, waiting for me to decide in what context to post them. Let’s have at it!

This post is about last year’s project to replace the roof on Wright’s Thomas P. Hardy House (1904/05) in Racine. The second Rainy Day Post, in a day or two, will be a smattering (there goes that word again!) of photos from different Wright sites.

Tom and Joan Szymczak are now the stewards of the Hardy House. Their late brother and brother-in-law Gene Szymczak rescued the house in 2012, but fell ill and died unexpectedly in December 2016. They decided to replace the roof last summer. Our scene setter photograph is an undated one by Edgar Tafel, a photo lent to me by fellow Wright photographer John Clouse.

Our only description of the original roof is in a June 1906 article about the house in House Beautiful magazine: “The roof is shingled, with braided hips, and stained a lighter brown.” However, the author of the article clearly relied on descriptions provided to him by Wright and never saw this house. The article describes details, some on drawings by Marion Mahony, which were never executed.

We start with photos of charred timbers found by the roofers. Racine Fire Department records indicate there was a roof fire in the 1930s, put out with just a single fire extinguisher:

image1.jpegPhoto above courtesy of and (c) Tom Szymczak

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The best descritption of the roofing job comes in an article in the May 2020 issue of Roofing Magazine. Note, though, that while they say the fire was in the 1960s, fire department records indicate it was in the 1930s. The article is illustrated with wonderful drone views of the house.

Maybe I was prescient in sitting on my photos of the roofing job from June 6, 2019 because I just knew that Tom was going to send me a link to an article about the work this past week! I would be remiss to not credit John Waters of the Frank Lloyd Wright Building Conservancy for his work with the Szymczaks as they planned the project.

http://www.roofingmagazine.com/tag/thomas-p-hardy-house/

SC Johnson Buildings

(c) Mark Hertzberg 2020

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There is something indescribable for me in Frank Lloyd Wright’s designs of the SC Johnson Administration Building (1936) and SC Johnson Research Tower (1943/44) in Racine, Wisconsin. I gaze at them every day during my daily bike ride.

I found the lighting particularly soft and nice the evening of June 16, riding after spending the day photographing the newly restored curtain at Hillside Theatre and the desolate empty drafting room at Hillside (the two previous posts on this website).

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The pictures were taken through the fence at the Golden Rondelle guest relations center which cannot reopen until the COVID-19 crisis passes. This is the first view that visitors have of the buildings, as they come onto campus at 14th Street. LR SC Johnson Admin Building Tower 6.16.20 005.jpg

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I look forward to being able to once again get past the fence and enjoy – and photograph – the wonderful interior spaces again.

 

Photographing my Friend Minerva Montooth

(c) Mark Hertzberg (2019)

Olgivanna Wright could not have picked a better and more congenial assistant for 25 years than Minerva Montooth, who I am privileged to call a friend. Make that “Friend” with a Capital F. We have been privileged to know Minerva Montooth since May 2003 when her late husband Charles invited me to give my “Wright in Racine” presentation in the theater at Hillside Home and School (that was indeed a heady invitation for a burgeoning journalist-student of Wright’s work!). Minerva has kindly invited us to the annual celebration of Frank Lloyd Wright’s birthday at Taliesin every year since then.

I visit Minerva in her apartment at Taliesin whenever I am on campus helping lead Road Scholar explorations of Wright’s work in Wisconsin https://www.roadscholar.org/find-an-adventure/22976/architectural-masterworks-of-frank-lloyd-wright

Last week Minerva told me how she came to join the Wright community at Taliesin West in 1952 (gosh, I was only 18 months old!). She has a keen photographic eye. I admired the magnificent lighting of a photo of Charles, who died in December 2014, in her living room, not knowing that she was the photographer. When it was time for me to leave, I couldn’t just leave; after all my camera first had to photograph Minerva and Fifi:

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Below are some of my earlier photos of Charles and Minerva:Evening at Taliesin 2004 008.jpg

Charles on the “Birdwalk” at Taliesin, Wright birthday celebration, 2004.

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Charles at The Prairie School in Wind Point (Racine), October 2003, with plans for the addition to the athletic center. Charles designed the original school building and each subsequent addition. He worked with Floyd Hamblen on the addition.

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Minerva and Charles at the dedication of the new facility, January 2005.

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Charles accepts accolades at the dedication.

By the way, if you email Minerva or write her something on Facebook, don’t expect a reply during your normal business hours: she is a confirmed computer night owl…1 a.m. is not an unusual time stamp for her.

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Minerva at the 2016 Wright birthday celebration.

We love you, Minerva!

 

SC Johnson Carport

(c) Mark Hertzberg (2019)

These are photos of the carport at the SC Johnson Administration Building in Racine on July 27, 2019 when we were taking a friend from New York City on his first tour of the Frank Lloyd Wright-designed buildings:

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