Wright and Sullivan in Banff

© Mark Hertzberg (2025)

Today Panoramic.jpgThere once was a Frank Lloyd Wright – designed building here, in the midst of the splendor of the Canadian Rockies, in Banff, Alberta.

Banff, Alberta does not immediately come to mind when people think of communities with buildings designed by Frank Lloyd Wright. They are more likely to think of Bear Run, Buffalo, Los Angeles, New York, Racine, and, of course, Spring Green. However, Wright’s work crossed national boundaries, with commissions in Egypt, India, Iraq, Italy, Japan, and Mexico, as well as in Canada. Few of the international commissions were realized, but two in Canada were.

Similarly, when the name “Sullivan” comes to mind in discussions of Wright, people immediately think of Louis Sullivan, Wright’s ‘Leiber Meister.” But it was a different architect named Sullivan, Canadian architect Francis S. Sullivan, who also became part of Wright’s history, beginning in 1911. 

There were four Wright – Sullivan collaborations. The only one built was the Banff National Park Pavilion, about 70 miles west of Calgary. Designed in 1911, it was completed in 1913, and demolished in 1938. The legend on a model of it in the Whyte Museum of the Canadian Rockies archives in Banff credits the building to “Frank Lloyd Wright and Francis C. Sullivan Associates Architects Ottawa Ontario.”

Whyte Museum exterior.jpgFrank Lloyd Wright Pavilion West Face – Image #V683/VI/A/PG-336 – The Whyte Archives & Special Collections

FLW Banff UCal 1.jpgFrom the University of Calgary Digital Collection

Their three unrealized projects were a railroad station for Banff (1913), the Pembroke Carnegie Public Library in Pembroke, Ottawa, Ontario (1913), and, according to Wright scholar Douglas Steiner, a “Ladies Kiosk” in Ottawa (1914). Wright’s other realized commission in Canada was the E.H. Pitkin Residence on Sapper Island, Desbarats, Ontario (1900).

Steiner documented the history of the Pavilion, and related structures in 2010 on his http://www.steinerag[Steiner Agency].com website. Much of the information below was gleaned from his article:

http://www.steinerag.com/flw/Artifact Pages/PhRtS170.htm#Site

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Wright was usually fastidious in his oversight of where his designs would be built. Either he was not, in this instance, or else it is possible that his client, the Canadian Department of Public Works, had the final say.

Banff National Park was Canada’s first national park. The town became a tourist destination in 1883 after three men working on the transcontinental railroad discovered hot sulphur springs. The springs, pools, and their outbuildings are now a tourist destination known as the Cave and Basin, although there is no more bathing at the site.

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The Pavilion was sited in what are called the Recreation Grounds, near the Bow River, south of downtown Banff. It was controversial from the start. The consensus among residents seemed to be that the Pavilion should be suited to year-round use and reflect their interest in sports such as curling and ice hockey. The government and Wright thought otherwise. The Wright / Sullivan design was best suited for use in warm weather. The exterior and floor plan were similar to Wright’s River Forest (Illinois) Tennis Club (1906), below:

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River Forest Tennis Club 10.28.20 022.jpgThe River Forest Tennis Club in 2020

According to the Banff Crag and Canyon newspaper, “The structure will be of rustic frame, one story in height, with cement and rubble foundation. The outside dimension will be 50 x 200 feet. The interior will contain a general assembly or lounging room 50 x 100 feet, with a ladies’ sitting room 25 x 50 feet at one end and a sitting room for gentlemen, 25 x 50, at the other end. Dressing rooms, lockers, etc., and provided for also three cobblestone fireplaces. Inside had three fireplaces, a men’s smoking room, a women’s lounge, and a common area between them.”

Whyte Banff Interior.jpgFrank Lloyd Wright Pavilion Interior Image # V683/441/na66/1471The Whyte Archives & Special Collections

The Pavilion served as Quarter Master’s Stores during World War I. If the design was problematic, at least for the residents, the site of the Pavilion near the Bow River was more problematic, ultimately fatally so for the structure. The river could get very angry. It did so particularly in 1920 and 1933 when it flooded around the Pavilion, doing irreparable damage to it, and ultimately dooming it. The newspaper wrote of the 1920 flood, “The grounds in front of the recreation building were under water last week, and it was possible for a man, if so inclined. to wade out to the building, sit on the steps and fish.”

Banff FLW UCal2.jpgFrom the University of Calgary Digital Collection

The wrecking ball finally came in 1938, just a quarter century after it opened. A 2016 proposal by Michael Minor, an American, to raise money for the Pavilion to be reconstructed did not materialize.

My wife and I were visiting Banff this spring and were anxious to find the Pavilion’s site. That was a challenge because there is no historic marker. We took hints from Steiner’s article. Patricia Thomson, our Canadian Rockies tour guide, graciously took time on a free afternoon to help us wander the area near the Bow River Bridge, Cave Avenue, and Sundance Road, near the Recreation Grounds. She had already gotten some leads from her brother, who works for the provincial parks department. Most significantly, he directed us to Steiner’s article.

Patricia and MSH.jpgPatricia Thomson helps us locate the site of the Pavilion. Photo by Cindy Hertzberg

Reconstruction of the building in an area that has new recreation amenities is not likely to happen, but Banff’s Heritage Committee, which considered Minor’s reconstruction proposal, had discussed the idea of a “Landmarks and Legends” marker at the site before the Pandemic. We are past the Pandemic. Now is the time to reconsider the idea of signage.

Until such signage were to come to fruition, the only tangible evidence of the Banff National Park Pavilion in Banff is a model in the basement archives of the Whyte Museum of the Canadian Rockies.

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20250609_140954.jpgImages courtesy of The Whyte

Postscript: According to “In Wright’s Shadow” (published by the Frank Lloyd Wright Home and Studio Foundation in 1998), Sullivan worked in Wright’s Oak Park studio in 1907 and 1908 before returning to Canada. He worked with Wright in Arizona in 1916 on drawings for the Imperial Hotel. He did not accept Wright’s offer for him to work with him in Japan on the hotel. Sullivan died of throat cancer in 1929, living as a guest of Wright’s at Ocatilla, his Arizona desert camp.

Thank you to Randolph C. Henning and Keiran Murphy for their assistance with this piece.

Please scroll down for previous articles on this Wright blog.

OA + D’s Encore 

© Mark Hertzberg (2022). Chandler photographs courtesy of, and © Michael Rust

There are seemingly not enough hours in the day for some people, including Randolph C. Henning, Eric M. O’Malley, and William B. Scott, Jr. 

O'Malley Henning Scott 6.28.19.jpgO’Malley, left, Henning, and Scott  June 28, 2019, at Taliesin for a meeting of the Taliesin Fellows.

They have “day jobs,” but because they are also three individuals who are passionate about, and collected material associated with, Frank Lloyd Wright, his students, and other organic practitioners, they founded Organic Architecture + Design (OA+D) in 2013. Their mission is to honor the past, celebrate the present and encourage the future of organic architecture and design through education, conservation of original design materials, publications and exhibitions.

RHM Iannelli Planning Meeting 005.jpgO’Malley, Tim Samuelson, left, then the City of Chicago Cultural Historian, and David Jameson meet in Samuelson’s archives near OA+D’s, in June 2018 to plan an exhibit about Alfonse Iannelli at the Racine, Wisconsin, Heritage Museum.

RHM Iannelli Planning Meeting 014.jpgChristopher Paulson, right, Executive Director of the Racine Heritage Museum looks at cartoons of windows Iannelli designed for Francis Barry Byrne’s St. Patrick’s Catholic Church in Racine, which Samuelson was lending to the museum.

They felt that big institutions are selective about what is saved, often rejecting worthy collections. They perceived a rapid loss of material with historical value associated with the organic movement—especially regarding lesser known architects and designers. Drawing from their own personal collections, as well as others that they were aware of, they also felt that a journal promoting an awareness of Organic Architecture (past, present and future) could be of interest and sustained.

OA+D’s list of accomplishments since 2013 is impressive:

-They are in their ninth year of publishing the Journal of Organic Architecture + Design, a quality glossy journal produced three times a year, each issue guest edited by a scholar and devoted to a single topic supporting their mission.

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-In 2016 they built and placed on long term loan to the Frank Lloyd Wright Foundation a replica of Wright’s model of the unrealized San Francisco Call newspaper building (1913) to replace the original model which left its longtime home in Hillside at Taliesin when Wright’s models were acquired by the Museum of Modern Art. 

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-They have published several books, including a monograph about the box projects of William Wesley Peters:

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-They maintain archive space in Chicago, in Los Angeles, and in Lexington, Kentucky, and now also in Chandler, Arizona. A link to their noteworthy holdings is at:

https://www.oadarchives.com/collection-s-list

So, what could Organic Architecture + Design (OA + D) do for an encore? How about recently adding a fourth archive site (Chandler) after being selected by the Frank Lloyd Wright Foundation in July to be the stewards of what remains of the vast archive of Taliesin Architects (TA), first known as Taliesin Associated Architects (TAA), formed after Wright’s death in 1959? After the Museum of Modern Art and Arizona State University took their share, the majority of the collection, which includes more than 50,000 drawings, is housed in OA+D’s new archive in Chandler, Arizona.

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The grand opening was in December. (While one of OA+D’s missions is to make their holdings available to scholars and aficionados of Wright’s and related work, the TA archive is so extensive that it will take time to ingest it, and there is no definite date for public access.)

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Scott says, “Probably the most exciting things they (the Foundation) gave us are these models.” Those models include a seven foot model of the 1963 proposal for the Belmont (N.Y.) Race Course, a proposal published in Architectural Forum, and a model built by the late David Dodge of a country club in Hawaii ( based on Wright’s design for a home for Arthur Miller and Marilyn Monroe). There is also a seven foot long rendition of the Court of the Seven Seas in San Francisco by Ling Po. He adds that Stuart Graff (President and CEO of the Foundation) “deserves a big thank you for this” as does the entire archive staff at Taliesin West.

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Some might step back and rest their laurels on an accomplishment like the TA acquisition. But that is not OA+D’s nature. Inevitably they will surprise us again. In the meantime, follow their work in the Journal. An annual subscription is $50, money well spent. 

Links:

OA+D: https://www.oadarchives.com

Frank Lloyd Wright Foundation on the transfer of the TA archive to OA+D: 

https://franklloydwright.org/frank-lloyd-wright-foundation-partners-with-oad-archives-to-steward-taliesin-architects-archive/

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Randy Henning’s Latest Book

Randolph C. Henning is a prolific author as well as being an architect.  He knows I am swimming in material for my Penwern book so I can’t do a proper book review, but I must call attention to his latest book, this one about Aaron G. Green, a member of the Taliesin Fellowship in the 1940s and then Wright’s West Coast representative. Aaron Green.jpg

The book is handsome. The book is extensive. The book is heavy (almost seven pounds!). Most important, the book is comprehensive…I would expect nothing less from Randy. His previous books include: “At Taliesin: Newspaper Columns by Frank Lloyd Wright and the Taliesin Fellowship, 1934 – 1937” (1992); “Frank Lloyd Wright’s Taliesin: Illustrated by Vintage Postcards” (with Kathryn Smith, 2011); and “The Architecture of Alfred Browning Parker: Miami’s Maverick Modernist” (also 2011).

The book is available on-line, but first try to support your local bookseller and see if he/she can get it for you.

Randy was one of the founding members at OAD, the Organic Architecture and Design Archives, Inc. with Eric O’Malley and William Blair Scott: http://www.oadarchives.com

 

Wright Birthday Bash at Taliesin

(c) Mark Hertzberg

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A crisp blue sky greeted guests at the annual Taliesin celebration of Frank Lloyd Wright’s birthday Saturday June 11. Wright was born June 8, 1867.

Minerva Montooth, who was an assistant to Olgivanna Wright, and whose late husband, Charles, was also a member of the Taliesin Fellowship, greeted guests, as is her custom at the celebration. Minerva lives at Taliesin. Mary Jane Hamilton, a Wright scholar from Madison, is behind her in the photo.

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Fewer guests than usual gathered outside because it was so warm and humid, even at 6:30 p.m.

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Lovely evening light set the scene as guests made their way to Hillside School where Jason Silverman, residence life manager of the Frank Lloyd Wright School of Architecture directed them to the theater for the evening program.

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Stuart Graff, center, CEO of the Frank Lloyd Wright Foundation, introduced Aaron Betsky, Dean of the School of Architecture, and Eric O’Malley, right, of OAD (the Organic Architecture and Design archives) and the PrairieMod website.

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O’Malley told the guests how moved he was seeing the original model of Wright’s San Francisco Call newspaper building when he visited Taliesin young. The model has been moved to the Museum of Modern Art, so OAD commissioned Stafford Norris to build this replica to be displayed at Hillside where the original model stood for years. Architect Randolph C. Henning was also present. Henning, O’Malley, and William Blair Scott are the three partners in OAD.

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The musical selection was Bach’s Brandenburg Concerto No. 3:

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Dinner featured braised beef short rib with greens grown at Taliesin, topped off by the traditional homemade birthday cake.

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Next year’s commemoration of the 150th anniversary of Wright’s birth will be marked by many special events, including a just-announced major exhibition at the Museum of Modern Art.