Sitting Down with Frank Lloyd Wright

 

© Mark Hertzberg (2026)

A quick test: think “Frank Lloyd Wright.” Chances are that images of Fallingwater, the Robie House, the SC Johnson Administration Building or other structures came to mind. It is a safe bet that you did not visualize any of his furniture. It has oft been written that Wright was concerned about the whole of his commissions…designing furnishings (and sometimes even clothing) for his clients, rather than only their home or public building. Yet,  relatively scant attention has focused on his furniture en toto.

The four pieces at the entry to the show below the quotation from Wright are, from left to right: Easy Chair for Francis W. Little House, Peoria, c. 1903; Musician’s Chair for the Dana-Thomas House, Springfield, c. 1903-1904; Slant Back Chair for the Hillside Home School, Spring Green, c. 1902-1903; and Side Chair for the Avery Coonley Playhouse, Riverside, c. 1912.

There have been only three research-based books on the subject – three out of how many hundred books about Wright? That was the impetus for the “Frank Lloyd Wright- Modern Chair Design” exhibition at the Museum of Wisconsin art (MOWA) in West Bend, Wisconsin. The exhibit ran from October – January.

Thomas Szolwinski, MOWA’s Curator of Architecture and Design told guests during a curated tour in January that Wright designed more than 800 pieces of furniture. Some clients elected not to have the furniture built, and some pieces no longer exist. Wright designed “different chairs for different purposes,” noted co-curator Eric Vogel. “Wright was dismissive of his furniture,” and “Wasmuth was not interested in his interiors” for the famous portfolio.

Vogel has examined every one of the Wright furniture drawings. Vogel and Szowinski selected 42 pieces to exhibit. Thirty were located and lent to MOWA. The other dozen were built for the exhibition, meticulously following Wright’s drawings by Current Projects, by Wright’s great grandson  S. Lloyd Natof, and by Stafford Norris III, whose mother and step-father are stewards of Wright’s Malcolm and Nancy Willey House in Minneapolis. They used the drawings to make computer models before making wood models of the pieces. The upholsterer was Chad Alexander Matha. The spun aluminum pieces designed for the Guggenheim Museum were fabricated by Butler Metal Spinning Corp.


The dining room set from the Malcolm and Nancy Willey House in Minneapolis

Above: Dining Chair for the Emil Bach House, Chicago, c. 1913

Right: Armchair for Taliesin, Spring Green, designed c. 1929, and second from right, and below, “Mori” Chair for the S. Mori OrientalArt Studio and Japanese Print Shop, Chicago, designed c. 1914

Above and below: Armchair for Taliesin, designed c. 1914; fabricated 2025 by Stafford Norris III

Szolwinski noted how details of the chair echoed the windows at left.

Above: Armchair for Taliesin, designed 1914

Above: Armchair for the Francis Little House II, “Northome,” Wayzata, Minnesota, designed c. 1913; fabricated 1970

Chair for the A. D. German Warehouse, Richland Center, Wisconsin, designed c. 1935; fabricated 2025 by Current Projects

Above, Ten pieces make up the famous “Origami” Armchair for Taliesin West, Scottsdale, Arizona, designed 1946

Honeycomb Lounge Chair, Prototype for Heritage–Henredon, Henredon Furniture Co., Morganton, North Carolina, designed c. 1955

Again, furniture echoes the design of the house…here are hassocks for the Robert Llewellyn Wright House, Bethesda, Maryland, designed c. 1957–58

Café Chairs and table for the Solomon R. Guggenheim Museum, New York, designed c. 1957; fabricated 2025 by Butler Metal Spinning Corp.

The museum partnered with the Frank Lloyd Wright Foundation to develop the exhibition. The 30 extant pieces were lent by 15 institutions and homeowners, integrating Wright’s furniture with his architecture. Szolwinski said there were three obstacles faced by the curators, “Time, money, and space.” The fabricators of the new pieces were sometimes challenged by ambiguities in the drawings. Using Taliesin as “a lens to see what [Wright] did” the curators looked for lesser known designs, eschewing, for example, the well known pieces designed for the Larkin Building and the SC Johnson Administration Building. Wright designed more flexible furniture beginning in the 1930s, as his house designs became smaller with the leap from Prairie-style to the Usonian designs. This was also some of the earliest use of construction plywood, “It was thin, but strong, and affordable.”

Further reading: I have presented only an overview of this important exhibition. I highly recommend the exhibition book published by MOWA. It is written by Szolwinski and Vogel, with the assistance of Jennifer Gray of the Frank Lloyd Wright Foundation. She is Vice President of the Foundation and Director of the Taliesin Institute:

https://wisconsinart.org/product/frank-lloyd-wright-modern-chair-design/

MOWA (Museum of Wisconsin Art): https://wisconsinart.org

The Winter 2025 issue of the Frank Lloyd Wright Quarterly is devoted to “The Evolution of Frank Lloyd Wright’s Furniture: and has four important articles. The Quarterly is available only to members of the Frank Lloyd Wright Foundation. Follow this link to join: https://franklloydwright.org

Please scroll down for earlier posts on this website.

Wright’s Unrealized YWCA For Racine

© Mark Hertzberg (2025)

Frank Lloyd Wright had a commission from H.F. Johnson Jr. to design a new YWCA building in Racine, Wisconsin in 1949. I first wrote about it in 2004 in my book Wright in Racine (Pomegranate). It came to mind again last week when http://www.racinecountyeye.com, a local news website published a news story about a zoning controversy involving the non-Wright building which is now for sale again. The zoning controversy involves a social services agency that wants to buy the building that was last used as a church. I told them about the Wright angle to the story, and they published my piece, updated. I am posting a link to the story because that way you can see two of Wright’s drawings. I cannot independently post the drawings to this website because of copyright considerations, which cannot be addressed during the holidays. The Frank Lloyd Wright Foundation and the Avery Library kindly gave permission for these two drawings to be used with the piece on Eye:

https://racinecountyeye.com/2025/12/22/wright-design-racine-ywca-building/

Please scroll down for previous posts

Kentuck Knob-The Wright House “near Fallingwater”

© Mark Hertzberg (2025)

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This essay begins with a confession. In 1999 Cindy and I went to Fallingwater. I was interested in Frank Lloyd Wright’s work, but I had not done any research about it. I had photographed his work in Racine, Wisconsin, where we live, and I had, of course, heard about Fallingwater. So, why not a road trip there? We saw a brochure for something called “Kentuck Knob” but didn’t pay any attention to it. Neither our docent or ticket – seller at Fallingwater asked if we knew that there is another house by Wright in the neighborhood. And so it was until our next visit to Fallingwater in March 2010 that we knew I blew it in 1999 by not picking up that Kentuck Knob brochure from one of those ubiquitous racks with myriad travel brochures that I tend to just walk past at highway rest stops and in hotel lobbies.

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I had the pleasure of an in-depth tour of Kentuck Knob this fall during the Frank Lloyd Wright Building Conservancy’s annual conference which was based in Pittsburgh. It is a special place. Here, then, is my photographic interpretation of what is formally known as Wright’s Isaac Newton and Bernardine Hagan House. The photos start with literal photos of the exterior (interior photos were not permitted), the fun stuff comes further down the page.

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LR Kentuck Knob 9.18.25 007.jpgKen Dahlin of Genesis Architecture photographs the house.

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I wondered what I could do with the hexagons in the terrace roof:

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After the tour we wandered through the knob to gaze at the Laurel Highlands:

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Michael Desmond, one of my dear friends lingered on a bench, not knowing that I was taking his picture:

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Regrets in life: Not having been able to take a class of his at Louisiana State University. I have tried to make up for it in conversations as we are usually bus seat mates during  Building Conservancy conferences. I think this portrait embodies what must have attracted the Hagans to ask Frank Lloyd Wright to build them a house on Kentuck Knob.

As for the name I had blown off in 1999, it is thought that David Askins, an eighteenth century settler, named this knob in Pennsylvania’s Laurel Highlands “Kentuck” in honor of Kentucky which he had considered moving to.

Postscript:

Lord Peter Palumbo became the second steward of Kentuck Knob in 1985 and opened it to the public in 1997. A link to a summary of his distinguished background in architecture and the arts – including once having been steward of Mies van der Rohe’s Farnsworth House – is below. His son Philip Palumbo accepted the Building Conservancy’s prestigious Wright Spirit Award given to Lord and Lady Palumbo at the Pittsburgh conference. Philip is director of Kentuck Knob.

LR 2025 WSA & Auction 017.jpgBarbara Gordon, Jeffrey Herr, and Scott Perkins present the Wright Spirit Award to Philip Palumbo, on behalf of his parents.

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I am a bit of a mid-century car enthusiast so I was interested to read in the Pittsburgh Post-Gazette article linked to below that the Palumbos are considering having a transportation museum on the grounds of Kentuck Knob. Therefore I will close with a photo I took of Lord Palumbo’s 1959 DeSoto in the carport in  2010. Wright was a lover of fine automobiles…the DeSoto’s liberal use of chrome, as was the trend in the 1950s, may have been over the top for Wright:

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Links:

Kentuck Knob:

https://franklloydwright.org/site/kentuck-knob/

Lord Peter Palumbo:

http://lordpeterpalumbo.com/biography.html

Pittsburgh Post-Gazette tour of Kentuck Knob with Philip Palumbo:

https://www.post-gazette.com/life/goodness/2025/10/09/palumbo-kentuck-knob-pittsburgh-frank-lloyd-wright/stories/202510060072

Frank Lloyd Wright Building Conservancy:

https://savewright.org

Ken Dahlin and Genesis Architecture:

https://www.genesisarchitecture.com

Please scroll down for earlier articles on this website.

Progress on the Burnham Block

© Mark Hertzberg (2025)

Bit by bit, parcel by parcel, the American System-Built homes in the 2700 block of W. Burnham Street in Milwaukee are coming together for their parent organization, Frank Lloyd Wright’s Burnham Block. Burnham Block is steward of five of the six structures: the two single family homes, and three of the four duplexes.

On November 3 the City of Milwaukee’s Historic Preservation Committee unanimously approved plans for restoration of the Model C3 at 1835 N. Layton (at the corner with Burnham Street), and demolition of a shed that was built on the property in 1977. Burnham had already received its third (!) Save America’s Treasures (SAT) grant from the National Park Service in the amount of $407,000 for the work. A matching amount has to be raised from donors for the entire amount to be released.

LR 2714, Duplexes 2017 .jpgThis photograph shows one of the two single family homes (the Model B1) and the four duplexes. The Model C3 single family home, below, sits to the right of the B1.

LR 1835 N. Layton 10.16.25 002.jpgDocent Bill Schumacher leads a tour of the Burnham Block, including the C3

The C3 is sometimes referred to as the “Pizza Hut” house because of the mansard roof which came from two Pizza Hut restaurants in the 1970s. Its stucco was covered with a “Perma-Stone” veneer in 1958, and the open porch was enclosed.

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The Burnham Block adventure started in 2005 with the purchase of the Model B1 at 2714  W. Burnham by the Frank Lloyd Wright in Wisconsin Tourism Heritage organization. A Save America’s Treasures grant and 28 major gifts including support from the Barbara Meyer Elsner Foundation enabled its restoration as a house museum.

LR Burnham WiW Board 4.16.05.jpgWright in Wisconsin board members discuss their purchase of the B1 in April 2005. Mike Lilek, the driving force behind the Burnham projects, is left. Barbara Meyer Elsner is third from right.

There were many difficult discussions at board meetings about what it would mean for the organization to become a steward of a Wright property rather than only fulfilling its founding mission of promoting Wright tourism and awareness and education about Wright’s work in Wisconsin. Then came the purchase of the Two Family Flat C duplex at the end of the block. And then came the purchases of two more of the duplexes (one of which is the world’s only aluminum sided Frank Lloyd Wright structure…the siding was added in 1968). The fourth duplex is independently owned. It was converted into a single family home in the 1980s and is available for overnight rentals through Vrbo.

Lilek reflects on the discussions at board meetings, “The board meetings became increasingly focused on the Burnham Block, to the detriment of the organization. Then-president George Hall likened it to ‘Your teenager growing up and needing their own space.'”

He recalls, “In 2017 Frank Lloyd Wright Wisconsin was reorganized to better support two distinguished missions. Out of the reorganization came Wright in Wisconsin, Inc. to carry forward the original focus on Frank Lloyd Wright tourism and Frank Lloyd Wright’s Burnham Block to focus exclusively on on the Burnham Block historic site in Milwaukee.”

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LR WiW Reorganization 006.jpgGeorge Hall, left, and Mike Lilek sign the reorganization papers August 3, 2017.

Below are period advertisements of the 1835 N. Layton house and photographs of what the house looks like today:

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The next three photos show where some of the original furnishings – seen in the drawing above – were originally placed. It is not known when they were removed, or where they ended up.

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The original open porch was enclosed, possibly when then exterior veneer was added:

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Bedroom and bathroom photos:

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The kitchen:

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The ceiling trim:

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The Burnham Block is working with Ramlow / Stein Architecture and Interiors on the restoration. The National Park Service and the Wisconsin State Historic Preservation Officer have already signed off on the restoration project. Now that the city has given its approval, contractors are being interviewed, and it is hoped that work will begin “soon,” according to Lilek. Contributions are welcome to match the SAT grant.

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Links:

Frank Lloyd Wright’s Burnham Block:

http://wrightinmilwaukee.org

Ramlow / Stein:

https://www.ramlowstein.com

Wright in Wisconsin:

https://wrightinwisconsin.org

Vrbo rental link:

https://www.vrbo.com/434063

Please scroll down for previous articles on this website.

 

 

 

 

 

Hardy at Sunrise / Photo Workshop

© Mark Hertzberg (2025)

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Why in the blazes would I set the alarm for 6 a.m. on a Saturday a week ago? Really, why? We are in the midst of moving (after 47 years!) and sleeping in would have been swell. So, yeah, well, why? To help Andrew Pielage who was conducting one of his photo workshops in Racine.

Hardy Pielage 10.25.25 016.JPEG Andrew had 18 photo guests arriving shortly after 7 a.m. to photograph Frank Lloyd Wright’s Thomas P. Hardy house inside and out, top to bottom. Andrew had asked me a year ago to tell the photographers about Hardy and about the house. Tom Szymczak, the steward of the house, had two kringle and a pot of hot coffee waiting. I got there at 6:48 a.m. Before I could get the goodies out and turn on the lights, I had to take my own photos of the house at sunrise. So, first my photos, and then my photos of the photographers.

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People sometimes ask my about what brand of camera is best. My answer is that the photographer’s eye is more important than the nameplate. I use Nikons because I am looked into their lens system. I have long carried a new go-to camera in my pocket…my smartphone. I recently upgraded to the iPhone 17 Pro. My friend Harvey Riekoff asked me what I thought of the camera…all the photos in this post were taken with the phone. It makes me think of cartoonist Aaron Johnson’ What the Duck t-shirt that I was given a few years ago: “Your camera takes great pictures!” To which the duck answered, “Your mouth makes nice compliments!” And, now photos of Andrew’s guests:

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(My wife has a collection of photos of me on my back taking photos in Wright homes and other historic sites…I had to take this photo!)

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For more information about Andrew Pielage’s Photo Workshops;

https://www.apizm.com/events-calendar

Please scroll down to read previous posts on this website.

 

 

Radiance at Taliesin, October 17, 2025

© Mark Hertzberg (2025)

I had the pleasure of spending time with Minerva Montooth, Taliesin’s Legacy Fellow, this afternoon. When she reached for her phone to take my picture, as she always does during our visits, I asked if I could take a “selfie” of us:

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Then I took these portraits of her with my “real camera” as I left:

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This is a link to my September 2021 profile of Minerva, with the story of how she and Charles met, and of her years at Taliesin:

https://wrightinracine.net/2021/09/29/the-marvelous-minerva-montooth/

This is a link to my photos of Minerva’s 100th birthday celebration in 2024:

https://wrightinracine.net/2024/02/27/minervas-100th-birthday-bash/

Link to Wisconsin PBS show about Taliesin, with segment about Minerva:

https://pbswisconsin.org/watch/wisconsin-life/frank-lloyd-wrights-taliesin-2ub05i/

Cindy and I love and miss you. We look forward to our next visit with you!

Please scroll down for previous posts on this website, including yesterday’s about the Golden Light at the Unitarian Meeting House in Madison.

 

Golden Light at Unitarian Meeting House

© Mark Hertzberg (2025)

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It was an overcast, uninspiring day to photograph Frank Lloyd Wright’s Unitarian Meeting House in Madison, Wisconsin. I was helping lead my 26th Wright tour for guests from Road Scholar, and had decided to leave my “real” camera on the bus. After all, what would I see different on my umpteenth visit on a gray day? Given the dank sky, I took only my phone with me. The light changed dramatically at 5:06 p.m. when the sun unexpectedly broke through the clouds. I started photographing the original church building while the guests were looking at the 2008 Atrium addition designed by Kubala Washatko Architects, Inc. One of them called me over to show me the reflection of the church in the windows of the Atrium. Bingo! Thank you, Ned, for calling me over to tell me that the pattern of the windows made you think of the Pyrex-glass tubing you had seen yesterday at SC Johnson in Racine!

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Links:

Unitarian Meeting House

https://www.unitarianmeetinghouse.org

Road Scholar Illinois / Wisconsin weeklong tour…come join us, we have five dates scheduled for 2026:

https://www.roadscholar.org/find-an-adventure/22976/Architectural-Masterworks-of-Frank-Lloyd-Wright

Please scroll down for earlier articles on this website.

Wright Book Beat, Fall 2025

© Mark Hertzberg (2025)

We are previewing four new books about Frank Lloyd Wright and his architecture. Two were recently published. The other two might be on your wish list for next year. (Disclaimer: I have photographs in the Hansen and Rovang books, and am consulting on the Hardy House section of the Lubell / Pielage book)

In alphabetical order, by author:

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Dahlin, a Racine native, is the award-winning architect who is the founder of Genesis Architecture in Racine. The book is part of the “Routledge Research in Architecture” series. As previewed by Routledge: “This book connects Frank Lloyd Wright’s organic theory with his pursuit of beauty, presenting a path for the recovery of beauty in architecture…”

Dahlin recently spoke at Wright in Wisconsin’s event at Taliesin and signed books at the Frank Lloyd Wright Building Conservancy’s conference in Pittsburgh. His work is the cover feature of the current issue of the Journal of Architecture + Design (see link below).

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Kristine Hansen: Frank Lloyd Wright’s Illinois

This book will be a sequel to Hansen’s successful 2023 book Frank Lloyd Wright’s WisconsinHow America’s Most Famous Architect Found Inspiration in His Home State which went into three printings.

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The Illinois book, whose subtitle has not been determined yet, is expected to be published next July or August. Wisconsin is a slim paperback that through photographs and narratives explores Wright’s work in his native state. It is described as “is part travel guide, part fireside chat with stewards of his designs.” Globe Pequot is the publisher of both books.

LR Hansen.jpgHansen at her book talk at Boswell Books in Milwaukee, June 9, 2023.

Sam Lubell and Andrew Pielage: 50 Houses

Rizzoli will be publishing this book by architectural writer Sam Lubell and Wright and architectural photographer Andrew Pielage. A press release previews the book as a project that “will delve into the stories of 50 of Frank Lloyd Wright’s most iconic designs…(it) will uncover the rich and distinctive narratives that make each house as remarkable as its design.” The book is more than just another architectural and historic survey of these properties as it “celebrates Wright’s enduring legacy and the human experiences” of the houses. One of the 50 houses is the Thomas P. Hardy House in Racine, which I have long been familiar with. Lubell and I had a long conversation about the house in the living room a month ago. Pielage was given the privilege of staying there overnight so he could photograph it at different times of the day, evening, and night:

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Sarah Rovang: Through the Long Desert – Georgia O’Keeffe and Frank Lloyd Wright:

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Rovang’s book had its genesis eight years ago in a “why not?” moment when she attended a panel discussion in Santa Fe with Stuart Graff, then President and CEO of the Frank Lloyd Wright Foundation, and Cody Hartley, Director of the Georgia O’Keeffe Museum,  about similarities between the two artists. Someone in the audience suggested that there should be a book about them, because they knew each other. After a week of pondering the idea, she emailed Graff and Hartley that she would want to be the author. Rovang will be at the October 23 “Sunsets & Sips” at Taliesin West:

https://franklloydwright.org/sunsets-sips/

I can relate to the “why not?” moment. I am often asked how I started on the path to being commissioned to write and photograph first one book, and ultimately four, about Wright and his work in Southeast Wisconsin. It’s a convoluted tale, that started with a “why not?” moment. Bravo, Sarah, for following through on that moment!

Links:

Dahlin’s book website, with discount coupon (the book lists for $152):

https://www.routledge.com/Frank-Lloyd-Wright-and-the-Path-to-Beauty/Dahlin/p/book/9781032620053?srsltid=AfmBOopoF7ZSGIZC6IbNLkzliB53hBd1nLevv3ShpW0sQQzL4M8G6apy

Genesis Architecture:

https://www.genesisarchitecture.com

OA + D Journal:

https://oadarchives.bigcartel.com/product/journal-oad-v13n2

Routledge Research in Architecture Series:

https://www.routledge.com/Routledge-Research-in-Architecture/book-series/RRARCH

Hansen’s book:

https://www.globepequot.com/9781493069149/frank-lloyd-wrights-wisconsin/

Sam Lubell’s website:

https://www.samlubell.com

Andrew Pielage’s website:

https://www.apizm.com

I urge you to purchase books directly from the publisher or from a local bookseller rather than reflexively ordering from “The Big A.” Even if Amazon will save you money, we need to support our local bookshops.

Please scroll down for earlier articles on this website.

Remembering Barbara Elsner

Photos © Mark Hertzberg

Barbara Elsner, a tour de force in the preservation of Frank Lloyd Wright’s architecture in Wisconsin – particularly in Milwaukee – died August 25. She was 99.

LR BC 2015 Elsner .jpgBarbara Elsner – 2015: At the Frank Lloyd Wright Building Conservancy annual conference in Milwaukee, her hometown 

I got to know Elsner when I served on the board of the  Frank Lloyd Wright’s Wisconsin Tourism Heritage Program (“Wright in Wisconsin”) from 2004 – 2020. She was a founding member of the organization. Our board was in discussions about whether or not to purchase Wright’s American System-Built Model B1 at 2714 W. Burnham Street in Milwaukee as early as a strategic planning session at Wingspread in 2002. Some of the board discussions were heated. Were we only about promoting Wright tourism (a founding principle) or should we become property owners as a means of furthering our mission of promoting Wright’s architecture in our state? Elsner was a strong advocate of expanding the mission to include “bricks and mortar.”

LR Burnham WiW Board 4.16.05.jpgMike Lilek, left, and Barbara Elsner, third from right, at a Wright in Wisconsin board meeting at the newly-purchased Model B1, April 2005. Lilek would oversee our stewardship of the Burnham Block properties.

We bought the house and restored it, with support from the Barbara Meyer Elsner Foundation and a Save Americas Treasures grant. There were 28 major gifts in all. We gradually added more of the AS-B properties to our portfolio, not always without dissension. In August 2017, we reorganized into two organizations: Frank Lloyd Wright’s Burnham Block (focused on the Burnham Block) and Wright In Wisconsin (focused on the longstanding mission to promote Wright tourism). Mike Lilek, who had shepherded our work on the Burnham properties became president of the new organization. He was Elsner’s son-in-law. The Burnham Block now owns five of the six homes (three of the four duplexes and both single family homes; the fourth duplex remains in private hands and operates as an overnight rental property).

I leave it to Lilek to tell you about Elsner’s extraordinary legacy. Below is the email he sent out, announcing her passing:

Dear Fellow Board Members and Friends,

It is with sadness that I share the news of the passing of Barbara Meyer Elsner, an esteemed member of our Advisory Board and a long-time member of our Board of Directors. She passed away peacefully on Monday, August 25th, 2025, surrounded by family. She was 99 years old.

Barbara leaves behind a towering legacy of dedication, leadership, and service to Frank Lloyd Wright’s Burnham Block and its predecessor, Frank Lloyd Wright Wisconsin.

She was a founding member of Frank Lloyd Wright Wisconsin and served as president.

She was a founding member and past Member of the Board of Directors of the Frank Lloyd Wright Building Conservancy, based in Chicago, IL.

She served on the Wisconsin Governor’s Commission on the preservation of Frank Lloyd Wright’s Taliesin. She has generously donated her time and financial support to various Wright projects, including the restoration of the Romeo and Juliet Windmill at Taliesin and the Seth Peterson Cottage on Mirror Lake.

She was a strong advocate for acquiring and restoring the Burnham Block homes. She partnered with Kathleen Brady to lead the primary fundraising effort for the restoration of Models B1 and D4. Her Barbara Meyer Elsner Foundation also provided the Burnham Block with significant financial support, including a major contribution toward the current restoration of the Model C3. Even after retiring from active board service, she continued to be a valued advisor and supporter of our mission. She was a long-serving member of our Interiors Committee.

She also played a major role in the preservation and restoration of the Pabst Mansion, serving as president of the mansion’s Board of Directors and as Executive Director for two years.

Barbara has led many grassroots efforts.  Notable among them was the effort to protect the North Point Historic District from planned institutional expansion. She is also a founding member of the Water Tower Landmark Trust and a board member of Preserve Our Parks. She played a role in organizing the Penfield Children’s Center. She was a founding member of the American Heritage Society of the Milwaukee Art Museum. She helped bring ballet to Milwaukee.

Robert and Barbara Elsner purchased the Bogk House in 1955.  Under Barbara’s care and guidance, the home was meticulously maintained. Barbara generously opened the Bogk House to visiting architectural scholars and students from around the world. Spanish architect Santiago Calatrava noted that the Bogk House was one of his two “must-see” buildings in Milwaukee.

LR Bogk 2022.jpgThe Bogk House

Barbara has played a major role in raising the awareness of Frank Lloyd Wright on the Burnham Block, in Wisconsin, and far beyond.  Her generosity, extraordinary spirit, and tireless energy have been a benefit to all of us. Barbara will be deeply missed.

She made a huge impact on the world we live in. A celebration of life will be held in the coming weeks; details will follow.

Sincerely,
Michael P. Lilek, President Frank Lloyd Wright’s Burnham Block

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Elsner in the Wright research library at SC Johnson

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Links:

YouTube interview with Barbara Elsner, and history of the Bogk House:

https://www.youtube.com/watch?v=IZjJAi-c23I

Frank Lloyd Wright’s Burnham Block:

https://savewright.org

Wright in Wisconsin:

https://wrightinwisconsin.org

Frank Lloyd Wright Building Conservancy:

https://savewright.org

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Hardy Reflections and Shadow Play 8.5.25

Photos © Mark Hertzberg (2025)

Hardy Shadow Play 8.5.25 001.JPEGOne of the entry way hallway windows is reflected in the two story living room windows that overlook Lake Michigan.

One of the aspects of Frank Lloyd Wright’s Thomas P. Hardy House that continually fascinates me is the shadow play from the seven windows in the entry hallway. I had the opportunity to have fun with the reflections and shadow play again when I met at the house with Sam Lubell yesterday. Lubell and photographer Andrew Pielage are working on a book about 50 Wright homes for Rizzoli (more about that in a future post).

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As Robert McCarter has pointed out, the floor plan of the house is delineated in white in the windows: the square in the middle represents the public areas, the two story living room and the dining room one floor below. When I lead tours of the house I remind the guests that the only computer Wright had when he came up with such designs was the one between his ears.

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The rectangle that bisects the square represents the bedrooms at either end of the two main floors. We now add to the drama of the seven Wright-designed windows the leaded glass inserts in the two sliding entry doors (one north, one south). They replicate the design of Wright’s living room windows, which were taken out by the second stewards of the house (1938 – 1947) because they leaked. They were replaced by clear windows.

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These quick happy snaps were taken with my phone camera…elapsed time, except for the top photo, seven minutes. Every time I turned I saw another photo. Thank you Gene and Tom and Joan Szymczak, for rehabilitating the house for us to enjoy!

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