© Mark Hertzberg (2025)

This essay begins with a confession. In 1999 Cindy and I went to Fallingwater. I was interested in Frank Lloyd Wright’s work, but I had not done any research about it. I had photographed his work in Racine, Wisconsin, where we live, and I had, of course, heard about Fallingwater. So, why not a road trip there? We saw a brochure for something called “Kentuck Knob” but didn’t pay any attention to it. Neither our docent or ticket – seller at Fallingwater asked if we knew that there is another house by Wright in the neighborhood. And so it was until our next visit to Fallingwater in March 2010 that we knew I blew it in 1999 by not picking up that Kentuck Knob brochure from one of those ubiquitous racks with myriad travel brochures that I tend to just walk past at highway rest stops and in hotel lobbies.

I had the pleasure of an in-depth tour of Kentuck Knob this fall during the Frank Lloyd Wright Building Conservancy’s annual conference which was based in Pittsburgh. It is a special place. Here, then, is my photographic interpretation of what is formally known as Wright’s Isaac Newton and Bernardine Hagan House. The photos start with literal photos of the exterior (interior photos were not permitted), the fun stuff comes further down the page.

Ken Dahlin of Genesis Architecture photographs the house.









I wondered what I could do with the hexagons in the terrace roof:






After the tour we wandered through the knob to gaze at the Laurel Highlands:

Michael Desmond, one of my dear friends lingered on a bench, not knowing that I was taking his picture:

Regrets in life: Not having been able to take a class of his at Louisiana State University. I have tried to make up for it in conversations as we are usually bus seat mates during Building Conservancy conferences. I think this portrait embodies what must have attracted the Hagans to ask Frank Lloyd Wright to build them a house on Kentuck Knob.
As for the name I had blown off in 1999, it is thought that David Askins, an eighteenth century settler, named this knob in Pennsylvania’s Laurel Highlands “Kentuck” in honor of Kentucky which he had considered moving to.
Postscript:
Lord Peter Palumbo became the second steward of Kentuck Knob in 1985 and opened it to the public in 1997. A link to a summary of his distinguished background in architecture and the arts – including once having been steward of Mies van der Rohe’s Farnsworth House – is below. His son Philip Palumbo accepted the Building Conservancy’s prestigious Wright Spirit Award given to Lord and Lady Palumbo at the Pittsburgh conference. Philip is director of Kentuck Knob.
Barbara Gordon, Jeffrey Herr, and Scott Perkins present the Wright Spirit Award to Philip Palumbo, on behalf of his parents.

I am a bit of a mid-century car enthusiast so I was interested to read in the Pittsburgh Post-Gazette article linked to below that the Palumbos are considering having a transportation museum on the grounds of Kentuck Knob. Therefore I will close with a photo I took of Lord Palumbo’s 1959 DeSoto in the carport in 2010. Wright was a lover of fine automobiles…the DeSoto’s liberal use of chrome, as was the trend in the 1950s, may have been over the top for Wright:

Links:
Kentuck Knob:
https://franklloydwright.org/site/kentuck-knob/
Lord Peter Palumbo:
http://lordpeterpalumbo.com/biography.html
Pittsburgh Post-Gazette tour of Kentuck Knob with Philip Palumbo:
Frank Lloyd Wright Building Conservancy:
Ken Dahlin and Genesis Architecture:
https://www.genesisarchitecture.com
Please scroll down for earlier articles on this website.
This photograph shows one of the two single family homes (the Model B1) and the four duplexes. The Model C3 single family home, below, sits to the right of the B1.
Docent Bill Schumacher leads a tour of the Burnham Block, including the C3
Wright in Wisconsin board members discuss their purchase of the B1 in April 2005. Mike Lilek, the driving force behind the Burnham projects, is left. Barbara Meyer Elsner is third from right.
George Hall, left, and Mike Lilek sign the reorganization papers August 3, 2017.








































Andrew had 18 photo guests arriving shortly after 7 a.m. to photograph Frank Lloyd Wright’s Thomas P. Hardy house inside and out, top to bottom. Andrew had asked me a year ago to tell the photographers about Hardy and about the house. Tom Szymczak, the steward of the house, had two kringle and a pot of hot coffee waiting. I got there at 6:48 a.m. Before I could get the goodies out and turn on the lights, I had to take my own photos of the house at sunrise. So, first my photos, and then my photos of the photographers.

































Hansen at her book talk at Boswell Books in Milwaukee, June 9, 2023.


One of the entry way hallway windows is reflected in the two story living room windows that overlook Lake Michigan.







There once was a Frank Lloyd Wright – designed building here, in the midst of the splendor of the Canadian Rockies, in Banff, Alberta.
Frank Lloyd Wright Pavilion West Face – Image #V683/VI/A/PG-336 – The Whyte Archives & Special Collections
From the University of Calgary Digital Collection


The River Forest Tennis Club in 2020
Frank Lloyd Wright Pavilion Interior Image # V683/441/na66/1471 – The Whyte Archives & Special Collections
From the University of Calgary Digital Collection
Patricia Thomson helps us locate the site of the Pavilion. Photo by Cindy Hertzberg




Images courtesy of The Whyte
Workers smooth out newly poured concrete at the entrance to the church Thursday June 19. This is part of Phase 2 of work at the church.





























© 2025 Frank Lloyd Wright Foundation, Scottsdale, AZ. The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)

© 2025 Frank Lloyd Wright Foundation, Scottsdale, AZ. The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York), from Jim and Margaret Yoghourtjian’s collection








